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Turner, Joseph Mallord William] Sullivan, K.E.

Verlag: Brockhampton Press, London, 1996
ISBN 10: 1860191002 / ISBN 13: 9781860191008
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Bibliografische Details

Titel: Turner.

Verlag: Brockhampton Press, London

Erscheinungsdatum: 1996


London, Brockhampton Press, 1996. 23cm x 28.5cm. 80, (16) with 46 colour illustrations and 8 full colour plates. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear. [The Life, Times and Works of the World's Greatest Artists] Includes for example: The Early years: 1775-1800/ Academy Man 1801-1820/ Complicated Affairs 1821-1840/ A Mature Vision 1841-1851/ Joseph Mallord William "J. M. W." Turner, RA (23 April 1775 – 19 December 1851) was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Turner's major venture into printmaking was the Liber Studiorum (Book of Studies), a set of seventy prints that the artist worked on from 1806 to 1819. The Liber Studiorum was an expression of his intentions for landscape art. Loosely based on Claude Lorrain's Liber Veritatis (Book of Truth), the plates were meant to be widely disseminated, and categorised the genre into six types: Marine, Mountainous, Pastoral, Historical, Architectural, and Elevated or Epic Pastoral. His printmaking was a major part of his output, and a whole museum is devoted to it, the Turner Museum in Sarasota, Florida, founded in 1974 by Douglass Montrose-Graem to house his collection of Turner prints. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques. (Wikipedia) Sprache: English Very good condition with only minor signs of wear. Buchnummer des Verkäufers 768BB

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