Trip. Dieser Artikel ist nicht verfügbar.
17 Bewertungen von Goodreads
Sprache: Englisch
Verlag: powerHouse Books, 1999
- Hardcover
- Gebraucht
Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 2. Juli 2009
Nicht verfügbar
Hardcover
Zustand: Gebraucht - Wie neu
EUR 27,91
Artikelbeschreibung des Verkäufers
Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Bestandsnummer des Verkäufers G1576870510I2N00
- Titel
- Trip
- Autor
- Lipper, Susan
- Verlag
- powerHouse Books
- Erscheinungsjahr
- 1999
- Zustand
- As New
- Schutzumschlag
- No Jacket
- Einband
- Hardcover
- Sprache
- Englisch
- ISBN-10
- 1576870510
- ISBN-13
- 9781576870518
- Artikelgewicht
- 2,25 Pfund
Trip is celebrated Grapevine photographer Susan Lipper's new, conceptually ambitious artist's book: an assembled narrative of a fictional road trip in America, destination and starting point unknown. Adrift.
The date is the present, but only slightly so. The viewer is cast without aid amongst snatches of text and vernacular objects, staged or found, that render the landscape neither familiar nor foreign. Semiotic interplay is introduced with seemingly objective signs and symbols, readable in a traditional sense.
Re-appropriating the documentary tradition of road photography, Lipper's "trip" is a new American narrative, perfectly suited for our hyper-mediating times.
Riffing the documentary tradition a la Walker Evans and Robert Frank, Lipper's "head trip" is a new American photo journal, accessible on many levels, making the freshman photo student and the semantics graduate equally at home.
The date is the present, but only slightly so. The viewer is cast without aid amongst snatches of text and vernacular objects, staged or found, that render the landscape neither familiar nor foreign. Semiotic interplay is introduced with seemingly objective signs and symbols, readable in a traditional sense.
Re-appropriating the documentary tradition of road photography, Lipper's "trip" is a new American narrative, perfectly suited for our hyper-mediating times.
Riffing the documentary tradition a la Walker Evans and Robert Frank, Lipper's "head trip" is a new American photo journal, accessible on many levels, making the freshman photo student and the semantics graduate equally at home.
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