Tito Puente and the Making of Latin Music. Dieser Artikel ist nicht verfügbar.
7 Bewertungen von Goodreads
Sprache: Englisch
Verlag: University of Illinois Press, 1999
- Softcover
- Gebraucht

Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 24. März 2009
Nicht verfügbar
Softcover
Zustand: Gebraucht - Ausreichend
EUR 7,42
Artikelbeschreibung des Verkäufers
Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Bestandsnummer des Verkäufers G0252067789I5N00
- Titel
- Tito Puente and the Making of Latin Music
- Autor
- Loza, Steven
- Verlag
- University of Illinois Press
- Erscheinungsjahr
- 1999
- Zustand
- Fair
- Schutzumschlag
- No Jacket
- Einband
- Paperback
- Sprache
- Englisch
- ISBN-10
- 0252067789
- ISBN-13
- 9780252067785
- Artikelgewicht
- 0,85 Pfund
He is known as "El Rey"&;the king&;and has come to epitomize the Latin experience in music, not just to Latinos throughout the United States and Latin America but to a worldwide audience of all backgrounds.
 
Tito Puente and the Making of Latin Music is the first in-depth historical, musical, and cultural look at the career and the influence of this giant of Latin music. In this seminal work, Steven Loza brings the man and his music vividly to life through exclusive interviews with Puente and a number of his close associates, including Hilton Ruiz, Ray Santos, Jerry González, Poncho Sanchez, and Joe Conzo, as well as music journalist Max Salazar and former DJ/producer Chico Sesma.
 
Loza shows how Puente's music evolved in tandem with the crystallization of Latin music into its current compelling mix of Afro-Cuban music, salsa, and Latin jazz. Tracing Puente's innovations as a drummer and a bandleader, Loza defines his influence over the course of half a century on Latin music as well as on other musicians and musical genres. Loza also delineates the social and cultural history of Latin music, exploring questions of nationalism and ethnic expression, the play between musical creation and commercial competition, and the politics of so-called multiculturalism as they bear on Latin music and musicians. The book includes detailed musical analyses and a discography of more than a hundred recordings. Celebrating a dynamic performer and a genre that is deeply rooted in America's rich ethnic diversity, Tito Puente and the Making of Latin Music traces a significant current in twentieth-century culture and reveals all the vibrancy and color of a consummate artist's life, work, and world.
 
 
Tito Puente and the Making of Latin Music is the first in-depth historical, musical, and cultural look at the career and the influence of this giant of Latin music. In this seminal work, Steven Loza brings the man and his music vividly to life through exclusive interviews with Puente and a number of his close associates, including Hilton Ruiz, Ray Santos, Jerry González, Poncho Sanchez, and Joe Conzo, as well as music journalist Max Salazar and former DJ/producer Chico Sesma.
 
Loza shows how Puente's music evolved in tandem with the crystallization of Latin music into its current compelling mix of Afro-Cuban music, salsa, and Latin jazz. Tracing Puente's innovations as a drummer and a bandleader, Loza defines his influence over the course of half a century on Latin music as well as on other musicians and musical genres. Loza also delineates the social and cultural history of Latin music, exploring questions of nationalism and ethnic expression, the play between musical creation and commercial competition, and the politics of so-called multiculturalism as they bear on Latin music and musicians. The book includes detailed musical analyses and a discography of more than a hundred recordings. Celebrating a dynamic performer and a genre that is deeply rooted in America's rich ethnic diversity, Tito Puente and the Making of Latin Music traces a significant current in twentieth-century culture and reveals all the vibrancy and color of a consummate artist's life, work, and world.
 
„Inhaltsangabe“ gehört möglicherweise zu einer anderen Auflage dieses Titels.
Über die Autorin bzw. den Autor
Steven Loza is a professor of ethnomusicology at UCLA and a jazz and Latin jazz musician. His books include Barrio Rhythm: Mexican American Music in Los Angeles and The Jazz Pilgrimage of Gerald Wilson.
„Über diesen Titel“ gehört möglicherweise zu einer anderen Auflage dieses Titels.