These five stories were collected and published as Tales of Unrest in 1898, shortly before Heart of Darkness, the first of Conrad’s major novels. Ranging from the faraway and unfamiliar, where the acquisitiveness of colonial adventure is damningly exposed, to an ostensibly ordinary London household, these disparate tales display Conrad’s ability to explore and lay bare human nature.
Set in Central Africa, ‘An Outpost of Progress’ is suffused with irony and represents a ruthlessly mocking view of European imperialism. ‘Karain’ and ‘The Lagoon’ are exotic tales of the Malay Archipelago, with the former telling of disharmony and discord between Western traders and the indigenous inhabitants. ‘The Return’ recounts the story of, in the author’s own words, “a desirable middle-class town residence which somehow manages to produce a sinister effect”. The collection also includes ‘The Idiots’, the first of Conrad’s short stories to be serialized in an English magazine.
Joseph Conrad [born Józef Teodor Konrad Korzeniowski] (1857–1924), was a Polish born mariner and writer who, after a turbulent youth, moved first to France and then Britain. He spent most of his twenties and thirties working on various ships, from wealthy three-masters to rusty steamers, voyaging around the world and rising in rank until he attained a master’s certificate in 1886. The same year Conrad took British nationality. His marine career came finally to an end in 1894 due to increasing importance of steam sail, for which Conrad’s qualifications were not satisfactory.
He then began his literary career, for he was drafting stories in his spare time even when working at sea. After a slow start, the major success came between 1897 and 1911 with publications of short stories and novels such as ‘Youth’ (1898), Lord Jim (1899), Heart of Darkness (1899), Typhoon (1902), Nostromo (1904), The Secret Agent (1907), ‘The Secret Sharer’ (1910) and Under Western Eyes (1911).
Conrad’s works were influenced by his sea voyages and adventures, and his novels often revolve around the significance of imperial enterprises and the moral dilemmas they inflict. The echoes of his Polish upbringing in a difficult political time may be traced in the underlining sense of isolation, embattled honour, and political disillusionment prevailing many of his works.
Because of the exotic settings and adventurous plots of Conrad’s works on one hand, and the moral complexity of his characters on the other, many of his works became an inspiration for stage and film adaptations.