Systems (Whitechapel: Documents of Contemporary Art)
Sprache: Englisch
Verlag: The MIT Press, 2015
- Softcover
- Gebraucht

Anbieter: Salish Sea Books, Bellingham, WA, USASalish Sea Books
AbeBooks-Verkäufer/-in seit 15. Mai 2007
Zustand: Gebraucht - Gut
EUR 160,21
Anzahl: 1 verfügbar
In den WarenkorbArtikelbeschreibung des Verkäufers
Very Good; Softcover; Light wear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium Format (8.5" - 9.75" tall); 1.3 lbs; Black and white covers with title in red lettering; 2015, The MIT Press; 240 pages; "Systems (Whitechapel: Documents of Contemporary Art)," by Edward A. Shanken.
Bestandsnummer des Verkäufers SKU-1292AI03102135
- Titel
- Systems (Whitechapel: Documents of Contemporary Art)
- Autor
- Edward A. Shanken
- Verlag
- The MIT Press
- Erscheinungsjahr
- 2015
- Zustand
- Very Good
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 0262527197
- ISBN-13
- 9780262527194
Writings survey system-based art, from its origins in works from the 1950s to the 1970s to its twenty-first century resurgence in works that draw on cutting-edge science.
In the late 1950s, experiments such as the cybernetic sculptures of Nicolas Schöffer or the programmatic music compositions of John Cage and Iannis Xenakis transposed systems theory from the sciences to the arts. By the 1960s, artists as diverse as Roy Ascott, Hans Haacke, Robert Morris, Sonia Sheridan, and Stephen Willats were breaking with accepted aesthetics to embrace open systems that emphasized organism over mechanism, dynamic processes of interaction among elements, and the observer's role as an inextricable part of the system. Jack Burnham's 1968 Artforum essay Systems Aesthetics and his 1970 Software exhibition marked the high point of systems-based art until its resurgence in the changed conditions of the twenty-first century.
Systems traces this radical shift in aesthetics from its roots in mid twentieth-century general systems theory, cybernetics, and artificial intelligence to the cutting-edge science of the present. The collected texts examine the connections between advanced technological systems, our bodies and minds; the relation of musical to spatial and architectural structures; and the ways in which systems-based art projects can create self-generating entities and networks, alter our experience of time, change the configurations of social relations, cross cultural borders, and interact with threatened ecosystems.
Artists surveyed include
Roy Ascott, Driessens and Verstappen, David Dunn, Brian Eno, Frank Gillette, Michael Joaquin Grey, Hans Haacke, Helen Mayer Harrison, Newton Harrison, Joan Littlewood, Richard Paul Lohse, Laurent Mignonneau, Manfred Mohr, Nam June Paik, Cedric Price, Casey Reas, Ken Rinaldo, Tomás Saraceno, Sonia Sheridan, Christa Sommerer, Ubermorgen, Woody and Steina Vasulka, Peter Weibel, Mitchell Whitelaw, John Whitney, James Whitney, Stephen Willats, Iannis Xenakis
Writers include
Gregory Bateson, Mary Catherine Bateson, Pierre Bourdieu, R. Buckminster Fuller, Jack Burnham, Fritjof Capra, Geoff Cox, James P. Crutchfield, Boris Groys, Francis Halsall, Usman Haque, N. Katherine Hayles, Caroline Jones, Stephen Jones, Christian Katti, Bruno Latour, Mary Louise Lobsinger, James Lovelock, Niklas Luhmann, Humberto Maturana, Donella H. Meadows, William J. Mitchell, Gordon Pask, Nick Prior, Francisco Varela, Heinz von Foerster, Michael Weinstock, Norbert Wiener
„Inhaltsangabe“ gehört möglicherweise zu einer anderen Auflage dieses Titels.
Über die Autorin bzw. den Autor
Edward A. Shanken is Visiting Associate Professor, DXARTS, University of Washington. He is the editor of Roy Ascott's collected writings, Telematic Embrace: Visionary Theories of Art, Technology and Consciousness and the author of Art and Electronic Media.
Edward A. Shanken is Visiting Associate Professor, DXARTS, University of Washington. He is the editor of Roy Ascott's collected writings, Telematic Embrace: Visionary Theories of Art, Technology and Consciousness and the author of Art and Electronic Media.
„Über diesen Titel“ gehört möglicherweise zu einer anderen Auflage dieses Titels.
Salish Sea Books
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AbeBooks-Verkäufer/-in seit 15. Mai 2007
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We thoroughly clean all books that we offer for sale and do all basic book-repairs ourselves. Basic repairs include repairing slanted bindings, applying additional glue to hinges that have become excessively loose, hinge-tape repairs for damaged hinges, minor binding split repairs, gluing small tears in exterior of covers, removal (as much as possible) of black marker marks to covers of ex-library books, removal of smaller non-permanent stickers, straightening of minor bowing to covers or spine, and applying jacket protectors to books with torn or fragile jackets or for especially pristine or collectible books.
We do not do major binding repairs, and any un-repairable binding splits or general weakness in binding will be noted. Any significant repairs such as a hinge-tape repair will also be noted. These repairs do not usually change the underlying condition grade, but do make the book more presentable. Some books are beyond help and will be listed as "Fair/Acceptable" or "Poor".
Our books are graded conservatively with library books never graded above "Good" and used books rarely graded above "Very Good". Below is a list of the condition grades we use, in descending order:
New/Fine
Like New/Near Fine
Very Good++
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Very Good Minus
Good++
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We try to grade accurately, but condition grades are often subjective, so please consider also any condition notes and book photos (when available) before placing an order.
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