The Star As Icon : Celebrity in the Age of Mass Consumption. Dieser Artikel ist nicht verfügbar.
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Sprache: Englisch
Verlag: Columbia University Press, 2008
- Hardcover
- Gebraucht

Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 13. Oktober 2008
Nicht verfügbar
Hardcover
Zustand: Gebraucht - Gut
EUR 5,73
Artikelbeschreibung des Verkäufers
Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Bestandsnummer des Verkäufers 4781289-75
- Titel
- The Star As Icon : Celebrity in the Age of Mass Consumption
- Autor
- Herwitz, Daniel
- Verlag
- Columbia University Press
- Erscheinungsjahr
- 2008
- Zustand
- Very Good
- Einband
- Hardcover
- Sprache
- Englisch
- ISBN-10
- 0231145403
- ISBN-13
- 9780231145404
- Artikelgewicht
- 0,794 Pfund
- Abmessungen
- N/A
Princess Diana, Jackie O, Grace Kellythe star icon is the most talked about yet least understood persona. The object of adoration, fantasy, and cult obsession, the star icon is a celebrity, yet she is also something more: a dazzling figure at the center of a media pantomime that is at once voyeuristic and zealously guarded. With skill and humor, Daniel Herwitz pokes at the gears of the celebrity-making machine, recruiting a philosopher's interest in the media, an eye for society, and a love of popular culture to divine our yearning for these iconic figures and the role they play in our lives.
Herwitz portrays the star icon as caught between transcendence and trauma. An effervescent being living on a distant, exalted planet, the star icon is also a melodramatic heroine desperate to escape her life and the ever-watchful eye of the media. The public buoys her up and then eagerly watches her fall, her collapse providing a satisfying conclusion to a story sensationally toldwhile leaving the public yearning for a rebirth.
Herwitz locates this double life in the opposing tensions of film, television, religion, and consumer culture, offering fresh perspectives on these subjects while ingeniously mapping society's creation (and destruction) of these special aesthetic stars. Herwitz has a soft spot for popular culture yet remains deeply skeptical of public illusion. He worries that the media distances us from even minimal insight into those who are transfigured into star icons. It also blinds us to the shaping of our political present.
Herwitz portrays the star icon as caught between transcendence and trauma. An effervescent being living on a distant, exalted planet, the star icon is also a melodramatic heroine desperate to escape her life and the ever-watchful eye of the media. The public buoys her up and then eagerly watches her fall, her collapse providing a satisfying conclusion to a story sensationally toldwhile leaving the public yearning for a rebirth.
Herwitz locates this double life in the opposing tensions of film, television, religion, and consumer culture, offering fresh perspectives on these subjects while ingeniously mapping society's creation (and destruction) of these special aesthetic stars. Herwitz has a soft spot for popular culture yet remains deeply skeptical of public illusion. He worries that the media distances us from even minimal insight into those who are transfigured into star icons. It also blinds us to the shaping of our political present.
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Über die Autorin bzw. den Autor
Daniel Herwitz is the Frederick G. L. Huetwell Professor of Humanities at the University of Michigan. His Columbia University Press books include Heritage, Culture, and Politics in the Postcolony (2012) and, with Lydia Goehr, The Don Giovanni Moment: Essays on the Legacy of an Opera (2006).
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