ISBN 10: 0199376468 / ISBN 13: 9780199376469
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Rezension: Writing with energy and humor, McMillian introduces a large cast of characters, with plenty of heroes, villains, tragic figures, and con men. On a larger scale, he portrays the hundreds of papers blooming in cities and on campuses across the country as laboratories in which activists sought to work out the precise meaning of the New Left ideal of participatory democracy. ( American Studies)

A lucid new work by a promising young media historian, Georgia State University's John McMillan...Suitable for scholars, graduate students, and aging hippies everywhere. ( Journalism History)

The story that John McMillian tells in Smoking Typewriters and the lessons he implies are at once admonitory and inspirational; this is a work of serious scholarship that suggests both a call to resurgent action and a demand that people do better next time. ( Roz Kaveney, Times Literary Supplement)

Exploring the variety of cultures that produced the papers as well as documenting how the papers reshaped their communities as they connected young people across the country, McMillian offers fascinating portraits of many colorful characters while also developing a temporal narrative tracing the rise and fall of the newspapers and the youth movement they chronicledEL.Those who teach the sixties, protest history, or journalism history are indebted to McMillian for providing a readable chronicle of this critical moment when words fired minds and were, themselves, a form of action. ( H-Net Reviews)

Readable, richly detailed study of the hundreds of anti-establishment 1960s newspapers . . . A welcome book on the '60s - a nostalgia trip for those who were there and a vivid work of history for anyone curious about the journalism that jolted a decade. ( Kirkus Reviews, starred review)

This tour d'horizon of the 60s underground press is a tour de force...a compact, sharply-etched, and well-informed recollection of the rebellious young journalists whose voices and views breached the high walls of Mainstream Media long before the current Internet-savvy generation rushed in to finish off to what remains of Conventional-Wisdom-based reporting. Seen with fresh eyes by a talented young scholar, Smoking Typewriters tells an important-and entertaining-story about modern American culture and its endless upheavals. ( Richard Parker, Harvard University)

Thoroughly researched and well-written, this book will serve as the definitive treatment of the radical and alternative media of the 1960s. While telling his story, much of it both exciting and tragic, John McMillian confronts crucial issues-questions about objectivity and democratic activism-with verve and insight. ( Kevin Mattson, author of What the Heck are You Up To, Mr. President?)

John McMillian's meticulous scholarship delves into the rambunctious, chaotic world of the counterculture weeklies that sprang up around the country, and mostly imploded, in the era of Vietnam, rock, psychedelics and pot. Smoking Typewriters (the witty title was a gift from Allen Ginsberg) explores the ambitions and private demons of several leading figures in the alternative press, notably Ray Mungo, Marshall Bloom, and Tom Forcade. The author parses-no easy task-the dizzily fractured political and sexual rebellions promoted by the founders, writers and cartoonists of the cheaply produced, offset, raggedy papers that thumbed a collective nose at The Establishment as they grooved on their beleaguered 'underground' status. I think he gets it right. This book is an enlightening contribution to a nation that still has not come to terms with The Sixties. ( Susan Brownmiller, author of In Our Time: Memoir of a Revolution)

John McMillian's Smoking Typewriters is as vivid, subtle, and scrupulous as the '60s upheaval, in all its audacity and weirdness, deserves. ( Todd Gitlin, author of The Sixties: Years of Hope, Days of Rage)

The forgotten cradle of today's 'indymedia' and blogosphere was the Underground Press of the Sixties revolution, an autonomous journalistic culture of writers, critics, poets and political radicals who were the connecting tissue for our generation. John McMillian succeeds in bringing their story back to life in this well-researched history. ( Tom Hayden)

McMillian is at his critical best when he examines the history of the papers that led the youthful resistance. A solid and informed commentary on the New Left's independent press. ( Publishers Weekly)

Meticulously researched and richly written with humor, tragedy, and grace, this book will find a home on the shelves of those interested in the New Left movement, free press, the youth culture of the 1960s, and the history of the underground press in America. ( Library Journal)

[A] thrilling historical narrative . . . McMillian brings this crucial story alive for a new generation. ( Austin American-Statesman)

[An] outstanding new book . . . Smoking Typewriters is a fascinating read and a meticulously well-researched book, describing the time in American history, the personalities, and the economics that allowed the alt-press to flourish . . . Anyone interested in the role of media in modern history will want to read Smoking Typewriters. ( Chattanooga Pulse)

Smoking Typewriters clearly illustrates what has changed, and what has stayed the same, making it a must-read for anyone who wants context on today's IT-fueled freedom fights. ( East Bay Express)

Meticulously researched and richly written with humor, tragedy, and grace. ( Library Journal)

[A] lively chronicle of the dedication, ecstasies, nuttiness, pathologies, and generational cockiness of the 1960s left that the decade's underground press reported and embodied. ( The American Prospect)

It's hard not to get swept up in this engaging history of a bygone era in publishing. ( Time Out Chicago)

History books rarely speak as trenchantly to contemporary issues as McMillian's Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media in America. As the cascading revolts in the Muslim world demonstrate, communication systems matter . . . Smoking Typewriters is as much a history of the '60s as it is of the era's 'alternative media,' a phrase we hear a lot these days (if you replace 'alternative' with 'independent'). It often seems like there is nothing new to learn about the '60s, but McMillian provides a fresh history by putting the role of media at the center. He helps us better understand the decade by providing a window into the institutions this anti-institutional generation built. ( In These Times)

[An] amply researched, intelligent and admirably even-handed chronicle . . . McMillian, much to his credit, never falls off the cliff in his general admiration for the radicals; he's careful to point out that people on either side of the aisle might see events differently without being exactly wrong or right. Also, he points out that underground leaders weren't without biases of their own . . . a valuable book that connects the dots from then to now, from underground to alternative to blogosphere, filling in an important part of America's cultural history along the way. ( Free Times (Columbus, SC))

There have been at least a gazillion histories written of the 1960s, but John McMillian's latest, Smoking Typewriters, ... is one of the best. Many chroniclers louse up their tales of freak history by neglecting the subject's inherently subversive humor. McMillian's academic background and meticulous research are impressive, but he also knows when to let readers have fun while they're getting smarter. ( High Times)

[B]risk and illuminating . . . Smoking Typewriters offers a compelling argument that the underground press was one of the New Left's most important counterinstitutions . . . Thanks to adroit writing as well as engaging source material, Smoking Typewriters is a lively read that should be of strong interest to historians of the 1960s, journalism, and American political movements across a range of disciplines. ( The Journal of American History)

McMillian has done something valuable. Smoking Typewriters is a diligent work of history, and its toggling between numerous close-ups and the occasional wide shots adds up to an impressive montage of the period. ( Dissent)

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