The four main versions of King Kong dramatize the fear of the Other: women, people of colour, nature, history, and atavistic religiosity. The American imaginary is observed in the King Kong film series. The four King Kong films link American modernity with the different crises: 1929, oil, the twin towers and the military.
Juan Antonio Roche Cárcel is Professor of Sociology of Culture and the Arts at the University of Alicante (Spain). He is currently President of the Committee for the Sociology of Emotions of the Spanish Federation of Sociology. His research focuses on culture, emotions, visual sociology, arts, cinema, theater and skyscraper architecture, creativity.