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Season of the Monsoon

Mann, Paul

98 Bewertungen bei Goodreads
ISBN 10: 0804112592 / ISBN 13: 9780804112598
Verlag: Fawcett, US, 1994
Gebraucht Zustand: Very Good Softcover
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0804112592 Very good. Some creasing. * Quality, Value, Experience. Media Shipped in New Boxes. Buchnummer des Verkäufers WARE47KR1147

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Bibliografische Details

Titel: Season of the Monsoon

Verlag: Fawcett, US

Erscheinungsdatum: 1994

Einband: Mass Market Paperback

Zustand: Very Good

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Inhaltsangabe:

A corpse has been discovered in a lake in Film City, the Hollywood of India, where film stars always guarantee fresh material for scandal. The victim has been so badly mutiliated that it is impossible to identify the body as male or female, let alone give it a name. An outsider in his own land, with a British father and a feminist mother, George Sansi, who may be the only honest policeman in Bombay, is given the case. As he painstakingly follows up every clue, a shocking portrait of evil emerges. And Sansi is pulled into a political imbroglio from which his career may never recover . . . if he lives so long.

From Kirkus Reviews:

Murder in Bombay--in an enjoyable if strained entry in the serial-killer/travelogue subgenre pioneered by Martin Smith in Gorky Park and highlighted by William Bayer's Jerusalem-set Pattern Crimes and Joseph Koenig's Tehran-based Brides of Blood. ``Anything--absolutely anything--can happen in India,'' says hero-cop George Sansi, and as presented by Mann (The Traitor's Contract, 1990), anything--and nearly everything--does, beginning with the discovery at Film City, India's Hollywood, of a horribly savaged body. Sansi--an appealingly saturnine character who's perhaps the only blue-eyed Indian walking the subcontinent (courtesy of the British general who sired him)--pursues the case with his usual moral diligence, stepping on powerful toes as he links the body to a gay prostitution ring serving film bigwigs. The Special Branch inspector is pulled into a second case as well, trying to stop a war between rival Bombay gangsters, a subplot that points up the novel's major strength and weakness: Mann's crackling depiction of India as a madhouse where the only real law is that of survival (most forcefully displayed during Sansi's visit to Dharavai, Bombay's fetid slum-suburb); and the author's forced striving for eccentrically interesting incidents and characters (as seen in the gangster Paul Kapoor, who talks in 50's slang and worships Elvis). Sansi can't stop Kapoor from slaying his rival, but, after a second mutilated body surfaces, the cop does trace the killings back to a 50-year-old murder spree--and to that long-ago killer's grandson, living in London, where the novel attenuates into a dull tracking of the culprit by Sansi, followed by a Bombay- set finale that seems stapled on. Fast-moving and fascinating for its exotic lore, but you can hear Mann's mechanics clanking away. Still, the engagingly earnest Sansi and his amazing India deserve a sequel. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

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