Russian Journal

“A subtly crafted reflection of both the bleak and golden shadings of Russian life . . . Its tones belong more to the realm of poetry than journalism.” –The New York Times Book Review

At age twenty-five, Andrea Lee joined her husband, a Harvard doctoral candidate in Russian history, for his eight months’ study at Moscow State University and an additional two months in Leningrad. Published to enormous critical acclaim in 1981, Russian Journal is the award-winning author’s penetrating, vivid account of her everyday life as an expatriate in Soviet culture, chronicling her fascinating exchanges with journalists, diplomats, and her Soviet contemporaries. The winner of the Jean Stein Award from the National Academy of Arts and Letters–and the book that launched Lee’s career as a writer–Russian Journal is a beautiful and clear-eyed travel-writing classic.

“[Lee] takes us wherever she is, conveying a feeling of place and atmosphere that is the mark of real talent.”
–The Washington Post Book World

“A book of very great charm . . . [Lee] records what she saw and heard with unassuming delicacy and exactness.”
–Newsweek


From the Trade Paperback edition.

Chapter 1

Arrival

AUGUST 3

The tower in which we will live for most of the next ten months is one of the landmarks of Moscow, an absurd thirty-two-story wedding cake of gray and red granite, set above the city in the Lenin Hills. This titanic building, the main dormitory of Moscow State University, is a monument of the pompous and energetic style of architecture nicknamed “Stalin Gothic.” Seen from a distance, it suggests a Disney version of a ziggurat; its central spire, like the Kremlin towers, holds a blinking red star. Inside, as in a medieval fortress, there is everything necessary to sustain life in case of siege: bakeries, a dairy store, a fruit and vegetable store, a pharmacy, a post office, magazine kiosks, a watch-repair stand—all this in addition to classrooms, and student rooms, and cafeterias. On the outside, it bristles with a daft excess of decoration that is a strange twentieth-century mixture of Babylonian, Corinthian, and Slavic: there are outsized bronze flags and statues, faïence curlicues, wrought-iron sconces—even a vast reflecting pool decorated with metal water lilies the size of small cabbages. As I climb the endless stairs and negotiate the labyrinth of fusty-smelling hallways, I feel dwarfed and apprehensive, a human being lost in a palace scaled for giants.

I came to this odd new home with my husband on a summer evening two days ago, when exhaustion from long-distance travel gave every new sight the mysterious simplicity and resonance of a dream. I had my first glimpse of the Soviet Union as we broke through a cloud barrier near Sheremetyevo Airport, and found ourselves flying low over a forest of birch and evergreen, dotted with countless small ponds. There was an almost magical lushness and secrecy about this flattish northern landscape that I found powerfully attractive; suddenly I remembered that my earliest visions of Russia were of an infinite forest, dark as any forest that stretches through a child’s imagination, and peopled by swan maidens, hunter princes, fabulous bears, and witches who lived in huts set on chicken legs. Tied to Russia by no claims of blood or tradition, I still felt, while very young, an obscure attraction to this country that I knew only from its violent, highly colored folklore; its music, through which ran a similar vein of extravagance; and the dark political comments of adults. It seemed to me to be a mysterious counterweight to the known world of America—a country, like the land at the back of the north wind, in which life ran backward and the fantastic was commonplace.

Our disembarkment and passage through customs at Sheremetyevo were standard chaos, involving a long, dazed wait in a crowded room traversed from time to time by hot breezes smelling sweetly of cut grass. Only one memory remains with me from those hours: the sight of a Pioneer* excursion group of twenty small girls who seemed, by their Asiatic faces and straight black hair, to be Siberian. They all wore the blue shorts, white shirts, and red neckerchiefs that I had seen in pictures, as well as ornately curled hair bows that gave them a queer geisha look, and as I studied them with the dreamy precision of fatigue, all twenty stared back at me with an avid, unadorned curiosity. Standing beyond the customs barrier was a young man who introduced himself in English as Grigorii, a journalism student sent to meet us by the university’s office of foreign affairs. Grigorii was a dark-haired young man in his twenties, with very small eyes behind enormous round glasses and a pinched, rather gnomish body in a large, baggy suit; the impression he gave was that he had melted down slightly inside his clothing. He led us outside to a black Volga, a Soviet car that looks like a cross between a Rambler and a Plymouth. A short-legged driver, wearing a checked cap pulled down very far over his ears, stowed our bags, and soon we were speeding down a road with the vaguely horrifying sense of freedom one feels only when going through absolutely strange territory in a strange car. It was dark by now, and the smell of fields and forest rushed in through the windows. Grigorii had discovered that we both spoke Russian, and had grown garrulous. “So you are a student of Russian history?” he was saying to Tom. “I myself am extremely interested in American history—especially in your Civil War. Two years ago I even wrote a paper on the Great Barbecue.”

“The what?” asked Tom.

“The Great Barbecue—the turning point of the Reconstruction period. Don’t tell me you haven’t heard of it!” (Grigorii pronounced the word “barbecue” with the gleeful relish of a Frenchman saying “Marlboro.”)

“I haven’t,” said Tom, and as the car slid through the darkness, Grigorii illuminated for us this lost part of American history, mentioning feudal remnants, the industrial bourgeoisie, and the struggle of the working class. Listening to his small, dry, pedantic voice mention names and places I’d never heard of, I wondered what Marxist looking-glass we’d stepped through. Where on earth were we? Was he talking about the same America we had just left?

When the monstrous silhouette of the university tower appeared on the skyline, Grigorii paused to point it out proudly. “Impressive, isn’t it?” he said. “It’s the most luxurious dormitory in the Soviet Union—every year hundreds of tourists come to visit it. It’s a city block in circumference; some other time I will give you the figures on its height and number of windows. I’m sorry that we won’t be passing the reflecting pool tonight, but there is a very handsome giant barometer that I will show you. I feel very lucky to live there. We’ll be neighbors, so to speak!”

“Hurrah!” I whispered to Tom, and he dug his elbow into my ribs. Then we sat silently as the black tower grew larger against the sky.

Our arrival meant passing through a gatehouse, climbing a great many stairs, crossing a chilly marble hall, and threading through a maze of corridors on a path that led at last to a long ride in an elevator, and some kind of fuss with an old woman over a key. Although it was only about nine o’clock in the evening, a charmed stillness seemed to reign in the dormitory; we saw very few students. Instead, there seemed to be inordinate numbers of babushki—old women—in semi-official posts, knitting and nodding in dark corners like watchful beldames out of a Grimms tale. The babushka of the keys, a tiny creature with a fierce squint under a cowled white shawl, watched us struggle with the door to our room and then turned to whisper portentously to a still smaller companion, Ischo Amerikantsy—More Americans.

When Grigorii left us, we flicked a switch, and in the sudden bright light, faced our living quarters for the year. They were what Russians call a blok—a minute suite consisting of two rooms about six feet by ten feet each, a tiny entryway, and a pair of cubicles containing, between them, a toilet, a shower and washstand, and several large, indolent cockroaches. The two main rooms were painted the dispiriting beige and green of institutional rooms around the world, and furnished, rather nicely, with varnished chairs, tables, bookcases, and two single beds. (I’ve since discovered that our rooms represent great luxury, since Russian students in the same building often live four and six to such quarters.) Each room held a radio that...