A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge. Dieser Artikel ist nicht verfügbar.
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Sprache: Englisch
Verlag: Columbia University Press, 2023
- Softcover
- Gebraucht

Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 24. März 2009
Nicht verfügbar
Softcover
Zustand: Gebraucht - Gut
EUR 12,76
Artikelbeschreibung des Verkäufers
Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Bestandsnummer des Verkäufers G0231191839I4N10
- Titel
- A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge
- Autor
- Hajdu, David; Carey, John
- Verlag
- Columbia University Press
- Erscheinungsjahr
- 2023
- Zustand
- Very Good
- Schutzumschlag
- No Jacket
- Einband
- Paperback
- Sprache
- Englisch
- ISBN-10
- 0231191839
- ISBN-13
- 9780231191838
- Artikelgewicht
- 1,45 Pfund
Bert Williams—a Black man forced to perform in blackface who challenged the stereotypes of minstrelsy. Eva Tanguay—an entertainer with the signature song “I Don’t Care” who flouted the rules of propriety to redefine womanhood for the modern age. Julian Eltinge—a female impersonator who entranced and unnerved audiences by embodying the feminine ideal Tanguay rejected. At the turn of the twentieth century, they became three of the most provocative and popular performers in vaudeville, the form in which American mass entertainment first took shape.
A Revolution in Three Acts explores how these vaudeville stars defied the standards of their time to change how their audiences thought about what it meant to be American, to be Black, to be a woman or a man. The writer David Hajdu and the artist John Carey collaborate in this work of graphic nonfiction, crafting powerful portrayals of Williams, Tanguay, and Eltinge to show how they transformed American culture. Hand-drawn images give vivid visual form to the lives and work of the book’s subjects and their world.
This book is at once a deft telling of three intricately entwined stories, a lush evocation of a performance milieu with unabashed entertainment value, and an eye-opening account of a key moment in American cultural history with striking parallels to present-day questions of race, gender, and sexual identity.
A Revolution in Three Acts explores how these vaudeville stars defied the standards of their time to change how their audiences thought about what it meant to be American, to be Black, to be a woman or a man. The writer David Hajdu and the artist John Carey collaborate in this work of graphic nonfiction, crafting powerful portrayals of Williams, Tanguay, and Eltinge to show how they transformed American culture. Hand-drawn images give vivid visual form to the lives and work of the book’s subjects and their world.
This book is at once a deft telling of three intricately entwined stories, a lush evocation of a performance milieu with unabashed entertainment value, and an eye-opening account of a key moment in American cultural history with striking parallels to present-day questions of race, gender, and sexual identity.
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Über die Autorin bzw. den Autor
David Hajdu is a professor at the Columbia Journalism School. His books include Lush Life: A Biography of Billy Strayhorn (1996); Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña (2001); The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America (2008); and Adrianne Geffel: A Fiction (2020).
John Carey is a painter and cartoonist. He was the editorial cartoonist for Greater Media Newspapers for many years.
Michele Wallace is professor emerita of English at the City College of New York and the CUNY Graduate Center. Her books include Invisibility Blues: From Pop to Theory (1990).
John Carey is a painter and cartoonist. He was the editorial cartoonist for Greater Media Newspapers for many years.
Michele Wallace is professor emerita of English at the City College of New York and the CUNY Graduate Center. Her books include Invisibility Blues: From Pop to Theory (1990).
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