Resurgence, 1: Engaging with Indigenous Narratives and Cultural Expressions in and Beyond the Classroom. Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: Portage & Main Press, 2022
- Softcover
- Neu

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Artikelbeschreibung des Verkäufers
Über den AutorKC Adams (she/her/hers) is an award-winning Cree/Ojibway/British Winnipeg-based artist who works in a wide variety of mediums. KC graduated from Concordia University with a Bachelor of Fine Arts, and her work.
Bestandsnummer des Verkäufers 531570294
- Titel
- Resurgence, 1: Engaging with Indigenous Narratives and Cultural Expressions in and Beyond the Classroom
- Autor
- Adams, Kc|Ballantyne, Sonya|Bearhead, Charlene|Bearhead, Wilson|Boivin, Lisa|Bouvier, Rita|Campbell, Nicola I|Davidson, Sara Florence
- Verlag
- Portage & Main Press
- Erscheinungsjahr
- 2022
- Zustand
- New
- Einband
- Kartoniert / Broschiert
- Sprache
- Englisch
- ISBN-10
- 177492000X
- ISBN-13
- 9781774920008
- Serie
- Buch 1 von 2: The Footbridge
- Verkäuferkataloge
- Importe
A thoughtful guide to critical engagement with Indigenous texts, perspectives, and teaching methods, as well as ideas and action steps for bringing them into professional practice, in the classroom and beyond.
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Über die Autorin bzw. den Autor
KC Adams (Ininnew/Anishinaabe/British) is a registered Fisher River Cree Nation member living in Winnipeg. KC is a relational maker, educator, activist, and mentor who creates work that explores technology in relation to her Indigenous culture. Adams is an award-winning, nationally and internationally known maker with a B.F.A. from Concordia University and an M.A. in Cultural Studies, Curatorial Stream from the University of Winnipeg. KC has had numerous solo and group exhibitions, residencies and three biennales.
Sonya Ballantyne (she, they) is a Swampy Cree writer, filmmaker, and speaker based in Winnipeg, Manitoba. Her work explores contemporary and futuristic portrayals of Indigenous women and girls. Her award-winning projects include the documentary Nosisim (2024 Barry Lank Award) and the graphic novel Little by Little (In The Margins, 2025 Top Ten Title). Sonya is also the author of the children’s book Kerri Berry Lynn, contributor to anthologies such as Pros and (Comic) Cons and Women Love Wrestling, and co-director of The Death Tour, which was screened at Cannes in 2023 with a world premiere at the Slamdance Film Festival in 2024.
Charlene Bearhead (she/her/hers) is an educator and Indigenous education advocate living in Treaty 6 Territory in central Alberta. She was the first Education Lead for the National Centre for Truth and Reconciliation and the Education Coordinator for the National Inquiry into Missing and Murdered Indigenous Women and Girls. Charlene was recently honoured with the Alumni Honours Award from the University of Alberta and currently serves as the Director of Reconciliation for Canadian Geographic. She is a mother and a grandmother who began writing stories to teach her own children as she raised them. Adaptations of these stories have now been published as the Siha Tooskin Knows series, which she co-wrote with her husband, Wilson.
Wilson Bearhead (he/him/his) is a Nakota Elder and Wabamun Lake First Nation member in Treaty 6 Territory (central Alberta). A recent recipient of the Canadian Teachers’ Federation Indigenous Elder Award, he co-wrote the Siha Tooskin Knows series with his wife, Charlene. Currently Wilson is a board member for the Roots of Resilience Education Foundation. Wilson’s grandmother, Annie, was a powerful, positive influence in his young life, teaching him all of the lessons that gave him the strength, knowledge, and skills to overcome difficult times and embrace the gifts of life.
Lisa Boivin is a member of the Deninu Kue First Nation and the author/artist of two illustrated books, We Dream Medicine Dreams (shortlisted for the 2022 Rocky Mountain Book Award) and I Will See You Again (AICL's Best Books of 2020, nominated for First Nation Communities READ Award). She is an interdisciplinary artist and a PhD candidate at the Rehabilitation Sciences Institute at University of Toronto Faculty of Medicine. Lisa uses images as a pedagogical tool to bridge gaps between medical ethics and aspects of Indigenous cultures and worldviews. She is writing and collaging an arts-based thesis that addresses the colonial barriers that Indigenous patients navigate in the current healthcare system. Lisa strives to humanize clinical medicine as she situates her art in the Indigenous continuum of passing knowledge through images. @redbioethics
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