Repeat Patterns: A Manual for Designers, Artists and Architects. Dieser Artikel ist nicht verfügbar.Repeat Patterns: A Manual for Designers, Artists and Architects

Repeat patterns have been used in ornament, decoration and design since the beginning of civilization. Their use not only links cultures across the globe, but also forms a bridge between the natural and the manmade worlds. This remarkable volume is the key to understanding the most basic and versatile creative tool of all - a design composed of one or more motifs, multiplied and arranged in orderly sequence.
Combining mathematical analysis with advanced computer technology, the authors present their findings with a brilliant simplicity that can be followed by everyone. They explain the construction principles of each pattern type, as well as the effects of gradation, scale, texture and optical illusions. French Art Deco, Neolithic vase decoration, Celtic stone cross carving, North American Indian beadwork, medieval Italian silk, Persian manuscript illuminations, Chinese cloisonne - the structures of these and many other patterns are revealed.
While techniques are ideal for use with computers, the book also contains construction by traditional hand methods. The result is utterly indispensable for designers, artists and architects. It will also be a vital learning resource at all levels; and it has a huge range of practical applications in fabric and fashion design, graphics, packaging and advertising, ceramics and tiles, wall and floor coverings, and other media.

PETER PHILLIPS is Courses Director, Department of Fashion and Textiles, Nottingham Polytechnic. A graduate of the Royal College of Art, London, and Member of the Chartered Society of Designers, he has also exhibited his own fashion and fabric designs at international trade fairs and design exhibitions in Amsterdam, Frankfurt and London. GILLIAN BUNCE is currently researching at Nottingham Polytechnic into the use of advanced technology in the design and production of printed textiles. Drawing on a background in fine art, she has worked both with industrial clients and design students in exploring the image manipulation capabilities of computer graphics.