The Red and the Black (Barnes & Noble Classics). Dieser Artikel ist nicht verfügbar.The Red and the Black (Barnes & Noble Classics)

&&LDIV&&R&&LDIV&&R&&LDIV&&R&&LI&&RThe Red and the Black&&L/I&&R, by &&LB&&RStendhal&&L/B&&R, is part of the &&LI&&RBarnes & Noble Classics&&L/I&&R&&LI&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&R

• New introductions commissioned from today's top writers and scholars
• Biographies of the authors
• Chronologies of contemporary historical, biographical, and cultural events
• Footnotes and endnotes
• Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
• Comments by other famous authors
• Study questions to challenge the reader's viewpoints and expectations
• Bibliographies for further reading
• Indices & Glossaries, when appropriate

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&RAfter Napoleon’s defeat, the French aristocracy tried to reassert its power in a government known as the Restoration. Venal and corrupt, the Restoration fell in 1830. Later that year, &&LB&&RStendhal&&L/B&&R published his scathing satire of Restoration society, &&LI&&RThe Red and the Black&&L/I&&R. Its title refers to the military and the clergy, the two career paths open to young men of intelligence and ambition but no social standing.&&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&RStendhal’s hero, Julien Sorel, is such a young man. A seminary student, he is nevertheless an admirer of Napoleon, and dreams of military glory. When he is hired to tutor the mayor’s children, he quickly seduces the mayor’s wife, then moves on to Paris where he conquers a nobleman’s daughter. Sorel comes to believe that the secret of success is to outperform the hypocrites and vicious opportunists who surround him—and he’s right. But when the rich and powerful he so admires align against him, his downfall becomes unavoidable.&&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&RA master of characterization, Stendhal paints a fascinating, multi-layered portrait of Julien Sorel, who endures as one of literature’s most complex and surprisingly sympathetic—a would-be manipulator out of his depth in a sea of sharks.&&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LSTRONG&&RBruce Robbins&&L/B&&R&&L/B&&R is Professor of English and Comparative Literature at Columbia University. He is the author of &&LI&&RFeeling Global: Internationalism in Distress&&L/I&&R, &&LI&&RThe Servant’s Hand: English Fiction from Below&&L/I&&R, and &&LI&&RSecular Vocations: Intellectuals, Professionalism, Culture&&L/I&&R.&&L/P&&R&&L/DIV&&R&&L/DIV&&R