RAYMOND PETTIBON NERVOUS BREAKDOWN. Dieser Artikel ist nicht verfügbar.RAYMOND PETTIBON NERVOUS BREAKDOWN

The definitive collection of Raymond Pettibon’s album covers, uniting art and music in one powerful visual history. Featuring work for Black Flag, Sonic Youth, Foo Fighters, Iggy Pop, Lana Del Rey, and many others, this volume traces the artist’s bold influence on alternative culture from the late 1970s to today.

Throughout his decades-long career, Raymond Pettibon has remained deeply engaged with the world around him, whether through biting political satire of American geopolitics or poetic meditations on surfing and baseball. Pettibon’s aesthetic and political sensibilities originated in the punk scene that thrived in Southern California, the artist’s first home, in the late 1970s and 1980s—evidenced in his collaborations with bands such as the Minutemen, Sonic Youth, and Saccharine Trust. Among the most iconic works featured in this collection is Pettibon’s four-column logo design for Black Flag. His distinctive artwork appears on albums for a wide range of legendary musicians, including Iggy Pop, Foo Fighters, and Lana Del Rey, among many others.

Nervous Breakdown spotlights the artist’s enduring impact on the music industry, presenting for the first time every record, CD, and cassette cover since 1978 that features his artwork. Published on the occasion of an exhibition at the Wilhelm-Hack-Museum in Ludwigshafen, Germany, this catalogue features more than two hundred works from the Stefan Thull Collection. With essays by Max Dax, Robert Eikmeyer, and Ulrich Loock, and a 1985 Artforum essay by Kim Gordon, the book includes a catalogue raisonné of Pettibon’s album artwork, an essential resource for fans, scholars, and collectors of contemporary art and music history alike.

Raymond Pettibon’s (b. 1957) influential oeuvre engages a wide spectrum of American iconography variously pulled from literature, art history, philosophy, religion, politics, sports, and alternative youth culture, among other sources. Intermixing image and text, his drawings engage the visual rhetorics of pop and commercial culture while incorporating language from mass media as well as classic texts by writers such as William Blake, Marcel Proust, John Ruskin, and Walt Whitman. Through his exploration of the visual and critical potential of drawing, Pettibon’s practice harkens back to the traditions of satire and social critique in the work of eighteenth- and nineteenth-century artists and caricaturists such as William Hogarth, Gustave Doré, and Honoré Daumier, while reinforcing the importance of the medium within contemporary art and culture today.