The Queen's Bastard (Inheritors' Cycle)

Hard-pressed by enemies all around her, Lorraine defends her right to sit on the Aulunian throne by enlisting her most valuable weapon, Belinda, the daughter she has never acknowledged and who has been trained since childhood as an assassin, but as Belinda infiltrates the inner circles of her mother's enemies, she discovers her own secret magical powers. Original. 20,000 first printing.

Chapter 1

Belinda Primrose

15 March 1565
Brittany, North of Gallin

"It cannot be found out."

She knew the words as if they'd come down to her through the blood, in the first moments of awareness. There was darkness, red-tinged and warm, a battlefield of sound filling it: explosions and grumbles that came so steadily they were comforting rather than cause for alarm. There were voices, both low, but one more distant than the other. The first voice, closer, tickled through her to the very centre of her being, becoming a part of her that could never be cut away. It was that voice that carried fear into her, intense and sharp: "It cannot be found out."

In the first moments of cold, with the air screaming all around her, she heard the voice again, high and distorted. She grasped with tiny fingers at a blurred, weary face that retreated before her wide, tearless gaze. She was pressed against a different warmth, scratchy and soft and scented. She would come to know the scent as chypre, and associate it with safety for the rest of her life. She was enclosed in strong arms, the world shifting perspective dizzily as she was taken from the first, the last, glimpse she would have of her mother for twelve years.

Behind her, from the breadth of a man's chest, the less familiar voice echoed the words that seemed to define her, even at mere minutes of age: "It cannot be found out."

Then he spoke again with more clarity, the certainty and strength of love colouring his words with richness: "I know. It will not be found out, my lady. Have faith. I'll return by dawn, and by the ninth bell you must be dressed for court. You must be seen well, or their hearts will fail. Attend her." The last words were spoken to someone else, somewhere else; a murmur of reply in a deep voice came, and then the woman spoke again:

"Yes. Go. Go, Robert. And be seen with a woman in the small hours of the morning." Weariness is left behind by command. "There are too many who see you dance attendance on us already. We demand they find nothing of import. We shall be furious with you when we learn of your dalliances. Now go!"

A single image, burned into a newly made memory: slender shoulders, a proud straight spine. Linens clutched over milk-heavy breasts and wrinkling over a still-swollen belly, contracting with afterbirth labors. Thin grey eyes, a high forehead, and a proud chin, lifted in expectation.

Titian hair worn loose, bloody curls against translucent skin.

Enormous hands enveloped Belinda's head, turning her away from her mother, into the warmth of her father's body.


Belinda Primrose

8 February 1577
Aulun, isolated by the sea

Memory, from what others said, did not stretch so far back.

The dream came often, sharp enough to take her breath on waking, but no one remembered the moment of her birth, not with clarity; not at all. It was only a dream, nothing more. Belinda crawled from her bed, pulling a duvet, down-filled and heavy, with her: the keep fires were long since banked for the night, the comparative heat of the winter day left behind. Her first steps were warm, onto a tapestry rug that told the story of hunting a white deer. The next steps were icy, nimbly taken on tiptoe before she scrambled into the velvet-cushioned window seat. The duvet hissed across unheated stone as she hauled it up.

Frost spread across the windows, spiked fingers growing up from the lead lining between the sheets of thin, undistorted glass. Belinda pressed a fingertip against the thickening frost, melting through to the cold glass below. Water beaded and spilled over the lead, a glistening black line picked out by the half-moon's light. She put her finger in her mouth and pulled the duvet farther up, hunching and squirming her shoulders until the warm comforter slid between her back and the chilly stone wall. Her breath fogged on the window, mixing with scattered clouds to obscure the moon for a few moments before winter proved stronger than one girl-child's exhalations and clarity crept back over the middle of the pane.

Memories she trusted more than the dreams reached back to her second Yule. The pageantry of Yule, she was told, was less than the Christ Mass whose date and name had been set aside by the Reformation Church as it schismed from the Ecumenists. Still, call it Yule or Christ Mass, gifts were exchanged in the shortest day of the year, just as they had been for what seemed to Belinda to be uncountable centuries past.

The first remembered gift from her rarely seen, beloved papa: a tiny dagger, sharp for all that she was not yet two years of age. Had her nurse-a dour-faced, dull woman with a grim sense of propriety and little in the way of imagination-not been so shocked, so very determined to remove the toy from her determined grip, Belinda thought she might not remember it at all. As it was, she carried it even now: a soft length of string, clipped from a chemise, held it around her waist. The tiny dagger and its soft leather sheath made an impression against her spine when she leaned harder against the wall. By day it was tucked against skin, held tight by corsets and layers of fabric, inaccessible but reassuring. The blade had dulled with time, leaving it barely more dangerous than a butter knife. Yet, without it, Belinda felt naked. Vulnerable.

There were dancing shoes the next Yule. Now, more than nine years later, she still remembered the tangy flat taste of disappointment in the back of her throat, although she smiled and put the shoes on her toddler feet and danced with the tall, brown-eyed man called Lord Drake by the others, and Papa by herself. Standing on his feet, she learned the steps to the dances of the Old Measures: the Quadran Pavan and the Tinternell were her favourites, for the fun of saying their names more than the dances themselves. At her third birthday her nurse dressed her in the costume of a grown-up lady, rich cream that brought out highlights in her brown hair, and with farthingaled skirts that allowed her small size to manage the weight of the dress without stumbling. That night she danced each of the eight Old Measures with Lord Drake, solemn and determined to do her papa proud.

And the back of her mind repeated: it cannot be found out.

Those were the words Papa had whispered to her that morning, when he gave her the second blade of her short life. A rapier, he called it, weighted and sized for a child, but only young gentlemen learned fencing. "So," he told her, with the air of a conspirator, "we must be secret, and never let Nurse know. You have learned your dances with great patience," he teased, "and this is your reward, my girl. The grace learned on the dance floor stands anyone, man or girl, well in the art of fencing."

Belinda threw herself into her dance lessons with an enthusiasm entirely unexpected by the long-nosed man who tutored her.

By the time she was five she understood she was spoilt; within a year, she understood why. Her real father was dead in a war, and Rosemary, her mother, had lived only long enough to bear the child her husband had gotten on her before joining him in the next world. Robert, Lord Drake, was the only relative Belinda had, and properly he was uncle, not papa. He called her Primrose, in remembrance of the sister who had died, and those who thought of it at all admired his fortitude in taking on the child's well-being. Drake was a favourite of Lorraine the queen, and her jealousies would fain to include even a girl of Belinda's tender years.

Belinda listened hard, and understood the words not said: she was a forgotten child, her birth parents of no particular import, her adopted papa's nobility a gift from a fond queen. It was enough to make a good marriage of, if...