Poetic Interplay. Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: Princeton University Press, 2006
- Hardcover
- Gebraucht

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Artikelbeschreibung des Verkäufers
Zustandsbeschreibung: textsauberes Exemplar mit leichten Gebrauchsspuren. Stempel auf unterem Schnitt, wonach es sich um ein Prüfexemplar handelt, das nicht zum Wiederverkauf angeboten werden darf. Dies gilt jedoch nur für den amerikanischen Markt/clean text pages, minor traces of use, stamp on bottom cut. The stamp labels this volume as a test copy that must not be sold within the US. Catullus and Horace. In this work, the first book-length study of Catullus?s influence on Horace, Putnam shows that the earlier poet was probably the single most important source of inspiration for Horace?s 'Odes', the later author?s magnum opus. X,171 Seiten, gebunden (Martin Classical Lectures/Princeton University Press 2006). Statt EUR 60,50. Gewicht: 438 g - Gebunden/Gebundene Ausgabe.
Bestandsnummer des Verkäufers 601645
- Titel
- Poetic Interplay
- Autor
- Putnam, Michael C. J.
- Verlag
- Princeton University Press
- Erscheinungsjahr
- 2006
- Zustand
- Sehr Gut
- Einband
- Hardcover
- Sprache
- Englisch
- ISBN-10
- 0691125376
- ISBN-13
- 9780691125374
- Artikelgewicht
- 438 Gramm
- Serie
- Buch 4 von 14: Martin Classical Lectures
- Verkäuferkataloge
- Horaz, Klassische Philologie
The lives of Catullus and Horace overlap by a dozen years in the first century BC. Yet, though they are the undisputed masters of the lyric voice in Roman poetry, Horace directly mentions his great predecessor, Catullus, only once, and this reference has often been taken as mocking. In fact, Horace's allusion, far from disparaging Catullus, pays him a discreet compliment by suggesting the challenge that his accomplishment presented to his successors, including Horace himself. In Poetic Interplay, the first book-length study of Catullus's influence on Horace, Michael Putnam shows that the earlier poet was probably the single most important source of inspiration for Horace's Odes, the later author's magnum opus.
Except in some half-dozen poems, Catullus is not, technically, writing lyric because his favored meters do not fall into that category. Nonetheless, however disparate their preferred genres and their stylistic usage, Horace found in the poetry of Catullus, whatever its mode of presentation, a constant stimulus for his imagination. And, despite the differences between the two poets, Putnam's close readings reveal that many of Horace's poems echo Catullus verbally, thematically, or both. By illustrating how Horace often found his own voice even as he acknowledged Catullus's genius, Putnam guides us to a deeper appreciation of the earlier poet as well.
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