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The Poem's Two Bodies: the Poetics of the 1590 Faerie Queen

Miller David Lee

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ISBN 10: 0691067449 / ISBN 13: 9780691067445
Verlag: Princeton University Press, Usa, 1988
Gebraucht Zustand: Very Good Hardcover
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Princeton University Press 1988; 8vo size hardback with dust jacket. 297 pages, good to very good; 297 pages. Buchnummer des Verkäufers 18562

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Bibliografische Details

Titel: The Poem's Two Bodies: the Poetics of the ...

Verlag: Princeton University Press, Usa

Erscheinungsdatum: 1988

Einband: Hardcover

Zustand:Very Good

Zustand des Schutzumschlags: Very Good

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Inhaltsangabe:


The role of the human body as a poetic and ideological construct in the 1590 Faerie Queene provides the point of departure for David Lee Miller's richly detailed treatment of Spenser's allegory. In this major contribution to the study of Renaissance literature and ideology, Miller finds the poem organized by a fantasy of bodily wholeness that, like the marriage of Arthur and Gloriana, is both anticipated and deferred in the text.


Originally published in 1988.


The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


From the Inside Flap:


"In a major revisionary study, David Lee Miller now attempts to outline a Spenserian poetics that will let us read the poem with a fuller understanding of the dimensions of [its apparent discontinuities and discordances].... Miller builds upon recent critics who have seen the poem as a world of glass and a test of reading, and provides a refined and more economical terminology. He brings us closer, I think, to understanding what Puttenham may have meant when he called allegory a 'false semblant or dissimulation.'"--Donald Cheney, University of Massachusetts, Amherst


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