Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company. Dieser Artikel ist nicht verfügbar.
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Sprache: Englisch
Verlag: Cambridge University Press, 1989
- Softcover
- Gebraucht

Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 2. Juli 2009
Nicht verfügbar
Softcover
Zustand: Gebraucht - Gut
EUR 6,12
Artikelbeschreibung des Verkäufers
May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Bestandsnummer des Verkäufers G0521389038I4N00
- Titel
- Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company
- Verlag
- Cambridge University Press
- Erscheinungsjahr
- 1989
- Zustand
- Very Good
- Schutzumschlag
- No Jacket
- Einband
- Paperback
- Sprache
- Englisch
- ISBN-10
- 0521389038
- ISBN-13
- 9780521389037
- Artikelgewicht
- 0,79 Pfund
This is the second volume of essays by actors with the Royal Shakespeare Company. Fourteen actors describe the Shakespearean roles they played in productions between 1982 and 1987. The contributors are Roger Allam, Frances Barber, Kenneth Branagh, Niamh Cusack, Ben Kingsley, Ian McDiarmid, Daniel Massey, Edward Petherbridge, Alan Rickman, Fiona Shaw, Antony Sher, Juliet Stevenson, David Suchet and Zoe Wanamaker. Each gives a unique insight into the preparation and performance of a major Shakespearean role and how a character is created through responding to Shakespeare's text, within the context of a particular director's conception and the environment established by the designer. A brief biographical note is provided for each of the contributors and an introduction places the essays in the context of the Stratford and London stages, and of the music and design for the particular productions.
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Von der hinteren Coverseite
This is the second volume of essays by actors with the Royal Shakespeare Company. Fourteen actors describe the Shakespearean roles they played in productions between 1982 and 1987. Each gives a unique insight into the preparation and performance of a major Shakespearean role and how a character is created through responding to Shakespeare's text, within the context of a particular director's conception and the environment established by the designer.
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