- Softcover
- Neu

Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
Verkäufer:in bei ZVAB seit 25. März 2015
Zustand: Neu
EUR 18,44
Anzahl: Mehr als 20 verfügbar
In den WarenkorbArtikelbeschreibung des Verkäufers
In English.
Bestandsnummer des Verkäufers ria9781438982120_new
- Titel
- The Physics of Madness
- Autor
- Psm
- Verlag
- Authorhouse
- Erscheinungsjahr
- 2009
- Zustand
- New
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 1438982127
- ISBN-13
- 9781438982120
- Artikelgewicht
- 268 Gramm
„Inhaltsangabe“ gehört möglicherweise zu einer anderen Auflage dieses Titels.
Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.
The Physics of Madness
AuthorHouse
Copyright © 2009 PSMAll right reserved.
ISBN: 978-1-4389-8212-0
Chapter One
1.1.1I hate the salty roads of winter, especially after a couple days of wet snow. After the rusted cars of this county had ground the dirt and assorted cigarette butts into the asphalt, the hazy sun of winter would then bleach the unholy mess into some stained memory of regret and shame, and the whole image ultimately becomes a reminder of how days ago children played in their front yards watching the snowplows clear away the purity of heaven's gift so their parents could get to the places they so desperately needed to go. Maybe the salt just exaggerated the fact that I hate roads-not just any road, but the roads in this county. In seventeen years, they've led me nowhere.
With the sensation of salt being ground into a freshly slit finger, I recoil at the thought of how this all began. Call it desperation; call it a pathetic inability to motivate myself to see beyond the valley in which my county, my self-proclaimed hellhole, lies: whatever it may be, I just can't visualize anything beyond those signs that state, "You're leaving Morgan County." They're a figuratively cursed wall: a reminder of the confines of my prison. Often, I've joked that this is purgatory. Occasionally, that rare moment when someone was within earshot, my words would be validated-This is hell.
That opening into a potential conversation would begin and end with those introductory words and a familiar glance of disdain and distrust.
I have vague memories of studying the Greek gods and goddesses from the books I had stolen from the school library. I remember Aphrodite the best. In sixth grade, the thought of her fueled my nights of lust and desire, lonely and dispassionate.
I've masturbated to my vision of her; I've jerked off while dreaming of a goddess.
I'm sure more than a few God-fearing people would cringe at the thought of a man ejaculating to such a beautiful vision, a vision of unadulterated beauty. The sacrament of godlike figures is generally revered despite orthodox differences. The fundamental acceptance of fate and God allow for a baseline of spiritual faith, a foundation for hate.
Aphrodite was always naked while emerging from the Black Sea. She desired me and would consume me, as if I were her possession. My fantasy wasn't about love. It wasn't so much about sex. She'd just devour me, undulating in orgasm. I was her sexual toy-flesh on flesh. Our orgasms defined an element of cosmic origin: perverse in its desperation and incongruity, we were in synchronization with simplicity-the basic elements of creation.
Her genitals were wired into the cosmos, the incomprehensible Big Bang.
I had enough sense to know that I could never possess a goddess. I'm no Adonis; I'm a pathetic mortal who continually pounds his head against the asphalt roads of this county. That's what allowed my fantasy to exponentially increase in its intensity: my lack of control.
Aphrodite repeatedly used me as a dominatrix would use her submissive. The salt water of the Black Sea, on her breasts, tasted like the guilty pleasure of sin; I repeatedly suckled them-as often as she'd allow.
The further I succumbed to my fantasy, the saltier her breasts became; and, as I ventured further into the depths of her temptation, the less I experienced life. At least, I didn't embrace the core essence of it: relationships with those who are similar to you.
With each explosive orgasm, I became more removed from humanity and my seemingly irrelevant purpose in this universe. Within each of the billions of galaxies, there are over a billion stars. For each star, there are unknown possibilities for planets. Somewhere among it all, there's Earth; there's this county; and then, there's me-resembling nothing.
If only I had the talent, I would have chiseled away at a marble slab and created, for the entire world to share, my vision of perfection: my sweat and inspiration immortalized in that stone mined from this miserable planet.
1.1.2
Morgan County is occupied by 3,000 or so other people. The elders seem content enough. They're just waiting for their hearts to finally give out-literally and figuratively-nothing fancy. Just one day, their thoughts and memories would converge into death before falling into nothing. That's it. They're laid out in a casket or run though an oven at a crematorium. I've never confirmed it, but I have always believed that the smoke that I sometimes saw from some town, unknown miles in the distance, was the last vestige of the unknown dead. I've been curious, but the roads have not led me there because, as I said before, I ram my skull into that wall of "You're leaving Morgan County."
Maybe it's obvious, but it bears mentioning: The signs don't offer the platitude of come back soon or anything like that. You're just leaving, and those who are leaving are quite happy to be doing so. The smell of rubber burning against the asphalt as the accelerator is ceremoniously slammed to the floorboard of the car, as a beer can is tossed out the window, is the last memory a lot of children have of their daddies.
Many fathers have left on a quest for bigger and better things. It sure sounds nice, but one look at the hapless mothers and their hapless children more accurately conveys the reason behind the long-forgotten daddies leaving: they just wanted out of their miserable existences. I don't doubt for a minute that they are miserable somewhere else, with another knocked-up one-night stand, ready to move on; but, all that lies elsewhere, beyond my self-imposed walls.
Maybe I care. More likely, I don't. Regardless, I can't help but dwell on those possibilities when I see a young child-dirty, smeared with gunk and stale chocolate-trying to hold his mother's hand, attached to arms scabbed from months of picking at the methamphetamine bugs crawling beneath her skin. To that child, Mommy is beautiful. To me, she's ugly-a wretched remnant of what shouldn't be.
But don't get me wrong; she's beautiful enough for a drunken man every weekend.
More children will be born into this county. More men will leave.
Obviously, childhood and its innocence are quickly lost here. The local park is seldom used by those it was intended for. Hypodermic needles and beer cans are strewn about the weeds and dead grass. The swings are rusted and mostly used by the lone teenager who needs a place to smoke a joint. I've sat on those swings. I never smoked, but there I have sat-despondent and void of any legitimate desire to be anywhere else. It's not as if the swings were comfortable, but the essence of what I understood to be my soul lacked the energy to motivate me into relocating. Certainly, one step followed the other. It's a standard progression of anatomical movement with legs and feet working in unison to transport a body-a head, all the parts that constitute a person-to some thought-out location with, in a perfect world, a happy meeting of desire and resolution. But, what seems obvious is often lost within the quagmire of stagnant thought. When the concept of becoming something greater than what is presently experienced has become that fabled fallacy of those pathetic dreamers who only exist in books, the soul becomes stagnant-virtually dead, like the depths of the Black Sea.
It's not as though home's any better. The rust, the oxidation on the chains of those swings, only reminded me-and most anyone else who has sat where I sat-that the storm doors of home were also rusted.
Hell,...
„Über diesen Titel“ gehört möglicherweise zu einer anderen Auflage dieses Titels.
Ria Christie Collections
Uxbridge, Vereinigtes Königreich
Verkäufer:in bei ZVAB seit 25. März 2015
Versandkosten von Vereinigtes Königreich nach USA
| Artikel | 6 bis 12 Werktage | 6 bis 12 Werktage |
|---|---|---|
| Erster Artikel | EUR 11,82 | EUR 11,82 |
Zahlungsarten
Shopbeschreibung
Hello! Ria Christie Collections is an online venture that was initially set up in 2012 to sell books. We do not have a physical high street store. We are professional online booksellers. We only sell brand new books in perfect condition that we source from various suppliers and the publishers. Primarily, our aim is to provide an excellent service to all our customers. We always work as a team to achieve this. Our other objectives are to: 1. Ensure that all our products reach their destination quickly in a safe and secure manner 2. Answer to all our customer queries within 24 hours 3. Ensure that our customers are happy with their purchases 4. Provide all the items at a competitive price 5. Always listen to our customers Ria Christie Collections is not a registered company. It is a Sole Trader venture. Other key information is shown below: Contact Person Name: Rakesh Luchmun (Mr) Storefront Name: Ria Christie Collections Place of Establishment Address: Suite B; ARUN House; ARUN Building Arundel Road Uxbridge UB8 2RR United Kingdom E-Mail Address: riachristie@hotmail.co.uk VAT Number: GB 160 5650 25 We always work hard and aim to comply with all of Abebooks Policies. If you have any issues, please do not hesitate to write to us whether before or after a purchase. We promise to reply to you promptly and, in any case, within 24 hours. Thank you kindly! Yours sincerely Mr Rakesh Luchmun (Founder) and the Ria Christie Collections Team…
Spezialisierung
Educational books, Textbooks, Fiction, Non- fictionUnternehmensdaten der Verkäuferin bzw. des Verkäufers
Ryefield Investments Limited
175 Pield Heath Road
Uxbridge, Vereinigtes Königreich UB8 3NL
Verkaufsbedingungen
All Returns and Refund are as per Abebooks policies.
Widerrufsrecht
Wenn Sie Verbraucher sind, können Sie gemäß den folgenden Bestimmungen vom Vertrag zurücktreten. Verbraucher ist jede natürliche Person, die zu Zwecken handelt, die nicht ihrer kaufmännischen, gewerblichen, künstlerischen oder beruflichen Tätigkeit zugerechnet werden können.
Informationen zum Widerrufsrecht
Gesetzliches Widerrufsrecht
Sie haben das Recht, den Vertrag innerhalb von 14 Tagen ohne Angabe von Gründen zu widerrufen.
Die Widerrufsfrist beträgt 14 Tage ab dem Tag, an dem Sie oder ein von Ihnen benannter Dritter, der nicht der Transporteur ist, die letzte Ware oder den letzten Posten oder das letzte Exemplar in Besitz genommen hat.
Um das Widerrufsrecht auszuüben, füllen Sie auf unserer Website unter „Meine Einkäufe" in „Mein Nutzerkonto" eine eindeutige Erklärung elektronisch aus und senden Sie sie ab. Wir werden Ihnen unverzüglich eine Bestätigung über den Eingang eines solchen Widerrufs auf einem dauerhaften Datenträger (z. B. per E-Mail) übermitteln.
Um die Widerrufsfrist einzuhalten, reicht es aus, dass Sie Ihre Mitteilung über die Ausübung des Widerrufsrechts vor Ablauf der Widerrufsfrist absenden.
Auswirkungen des Widerrufs
Wenn Sie diesen Vertrag widerrufen, erstatten wir Ihnen alle Zahlungen, die wir von Ihnen erhalten haben, einschließlich der Lieferkosten (mit Ausnahme der zusätzlichen Kosten, die entstehen, wenn Sie eine andere Art der Lieferung als die von uns angebotene günstigste Standardlieferung gewählt haben).
Wir können einen Abzug von der Rückerstattung für den Wertverlust der gelieferten Waren vornehmen, wenn der Verlust auf eine unnötige Behandlung durch Sie zurückzuführen ist.
Wir werden die Rückerstattung unverzüglich und nicht später als 14 Tage nach dem Tag vornehmen, an dem wir über Ihre Entscheidung, diesen Vertrag zu widerrufen, informiert wurden.
Für die Rückerstattung verwenden wir dasselbe Zahlungsmittel, das Sie für die ursprüngliche Transaktion verwendet haben, es sei denn, Sie haben ausdrücklich etwas anderes vereinbart; in keinem Fall werden Ihnen aufgrund einer solchen Rückerstattung Gebühren berechnet.
Wir können die Rückzahlung verweigern, bis wir die Waren wieder zurückerhalten haben oder Sie den Nachweis erbracht haben, dass Sie die Waren zurückgesandt haben, je nachdem, was eher eintritt.
Sie müssen die Waren unverzüglich und in jedem Fall spätestens 14 Tage ab dem Tag, an dem Sie uns über den Widerruf dieses Vertrags unterrichten, an Ria Christie Collections, Uxbridge, United Kingdom, zurücksenden oder übergeben. Die Frist ist eingehalten, wenn Sie die Ware vor Ablauf der Frist von 14 Tagen zurücksenden. Sie müssen die direkten Kosten der Rücksendung der Waren tragen. Sie haften nur für einen etwaigen Wertverlust der Waren, der auf eine Behandlung zurückzuführen ist, die nicht zur Prüfung der Art, Eigenschaften und Funktionsweise der Waren erforderlich ist.
Ausnahmen vom Widerrufsrecht
Das Widerrufsrecht gilt nicht für:
- Die Lieferung von Zeitungen, Zeitschriften oder Magazinen mit Ausnahme von Abonnementverträgen; und
- Die Lieferung digitaler Inhalte, die nicht auf einem physischen Medium (z. B. auf einer CD oder DVD) geliefert werden, wenn Sie bei Ihrer Bestellung akzeptiert haben, dass wir mit der Lieferung beginnen können und dass Sie nach Beginn der Lieferung den Vertrag nicht mehr widerrufen können.
Versandbedingungen
Orders usually ship within 2 business days. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required. Thank you!