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In the Penny Arcade

Millhauser, Steven

373 Bewertungen bei Goodreads
ISBN 10: 0394546601 / ISBN 13: 9780394546605
Verlag: Knopf December 12, 19, New York
Gebraucht Zustand: Good Hardcover
Verkäufer Robinson Street Books, IOBA (Binghamton, NY, USA)

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0394546601 Popular American Fiction. Good clean copy no dust jacket. First edition. Quality, Value, Experience. Media Shipped in New Boxes. Buchnummer des Verkäufers BING91315203

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Bibliografische Details

Titel: In the Penny Arcade

Verlag: Knopf December 12, 19, New York

Einband: Hardcover

Zustand:Good

Auflage: 1st Edition

Über diesen Titel

Inhaltsangabe:

The seven stories of In the Penny Arcade blend both the real and the fantastic in a seductive mix that illuminates the full range of Steven Millhauser's gifts, from 'August Eschenburg', the story of a clockmaker's son whose extraordinary talent for creating animated figures is lost on a world whose taste for the perverse and crude supersedes that of the refined and beautiful, to 'Cathay', a kingdom whose wonders include landscape paintings executed on the bodies of court ladies.

Review:

Dalkey Archive Press brings back into print Millhauser's classic and acclaimed stories in their American Literature series. The imagery alone is stunning, but coupled with Millhauser's insights into human flights and foibles, these fictions hold both truth and a surreal, disturbing beauty.

Surely novelist Kirsten Bakis (Lives of the Monster Dogs) and Millhauser in his story "August Eschenburg" had the same dream the same night about their characters. Both are named August, both are creators, and both must confront the troubling issues between what is human and what is humanlike. August Eschenburg creates automatons with such art that they appear to be alive--for very brief performances. His art is copied and subverted by Hausenstein, who builds what the audiences seem to want: automatons whose sexual characteristics are grossly exaggerated in huge rolling hips, leering faces, and large breasts. Art falls prey to popular entertainment when August's benefactor dumps him for--you guessed it--the rosier robot. Like Kafka's "Hunger Artist," August as artist will be drawn back to his art by an urge stronger than mere economics, an urge that applies to artists such as independent press publishers as well!

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