Over There - War Scenes on the Western Front: With an Essay From Arnold Bennett By F. J. Harvey Darton. Dieser Artikel ist nicht verfügbar.Over There - War Scenes on the Western Front: With an Essay From Arnold Bennett By F. J. Harvey Darton

“Over There” is a 1915 account of life on the 'Western Front' during the First World War by English writer Arnold Bennett. The Western Front was the central area of battle during the war. It was defined by a line of trenches created by both sides that stretched from the North Sea to the Swiss frontier with France and which changed little during the war. This volume will appeal to those with an interest in the First World War and especially the horrors and hardships of life for those on the front lines. Enoch Arnold Bennett (1867–1931) was an English writer. Although he is perhaps best remembered for his popular novels, Bennett also produced work in other areas including the theatre, propaganda, journalism, and film. Other notable works by this author include: “Helen with a High Hand” (1910), “The Card” (1911), and “Hilda Lessways” (1911). Contents include: “The Industrious Apprentice”, “The Zone of Paris”, “On the French Front”, “Ruins”, “At Grips”, “The British Lines”, “The Unique City”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with an introductory essay by F. J. Harvey Darton.

Arnold Bennett (1867-1931) was an English novelist, journalist, essayist, playwright, and critic, best known for his fiction of the Staffordshire Potteries and for a wide body of practical, literary, and cultural writing. His major novels include The Old Wives' Tale, Clayhanger, Hilda Lessways, and Riceyman Steps, works noted for their realism, social observation, and interest in ordinary lives shaped by work, habit, ambition, and environment. Alongside his fiction, Bennett wrote essays and short books intended for general readers, bringing the same clarity and discipline to questions of reading, conduct, taste, self-improvement, and the use of time.In How to Live on 24 Hours a Day, Bennett turns from fiction to practical self-culture, addressing the modern worker's sense of fatigue, wasted time, and unrealised capacity. His advice is plain, unsentimental, and still recognisable: use the day consciously, train attention, read seriously, and refuse to let work consume the whole of life. For readers of classic self-help, time management, personal development, and early twentieth-century English prose, Bennett remains a sharp and highly readable guide to the disciplined use of ordinary life.