A portrait of the high-profile creator of Gonzo journalism offers insight into his unique capacity for portraying America and its people in myriad venues, his incendiary publication of Fear and Loathing in Las Vegas, and his battles with drugs and alcohol.

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Hunter S. Thompson detonated a two-ton bomb under the staid field of journalism with his early magazine pieces and revelatory "Fear and Loathing in Las Vegas" and "Fear and Loathing" campaign coverage in Rolling Stone. When Thompson was on, there was no one better at capturing who Americans were and what America was, be it in politics, at the Kentucky Derby, or in the Hells Angels' lair. William McKeen became friends with Thompson after writing a monograph on his journalism. McKeen now has interviewed many of Thompson's associates who wouldn't speak before, from childhood friends to colleagues, to assistants who sat around the Woody Creek, Colorado, kitchen control room late at night when Thompson did most of his work. McKeen gets behind the drinking and drugs to show the man and the writer-one who was happy to be considered an outlaw but took the calling of journalism as his life.

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