Buchnummer des Verkäufers
Inhaltsangabe: "Meno's tender, hip, funny, and imaginative portrayal of two Chicago misfits...dramatizes that anguished and awkward passage between legal age and actual adulthood."
--Booklist, "Core Collection: New Adult Fiction"
Named "Best New Novel by a Chicagoan" and "Best Book for the Disillusioned Artist in All of Us" by the Chicago Reader
Selected by The Believer's readers as a favorite fiction work of 2012
One of DailyCandy's Best Books of 2012
"An off-kilter romance doubles as an art movement in Joe Meno's novel. The novel reads as a parody of art-school types...and as a tribute to their devil-may-care spirit. Meno impressively captures post-adolescent female angst and insecurity. Fresh and funny, the images also encapsulate the mortification, confusion and excitement that define so many 20-something existences."
--The New York Times Book Review
"Wonderful storytelling panache...Odile is a brash, moody, likable young woman navigating the obstacles of caddish boyfriends and lousy jobs, embarking on the sort of sentimental journey that literary heroines have been making since Fanny Burney's Evelina in the 1770s. Tenderhearted Jack is the awkward, quiet sort that the women in Jane Austen's novels overlook until book's end. He is obsessed with tape-recording Chicago's ambient noises so that he can simulate the city in the safety of his bedroom, 'a single town he has invented made of nothing but sound.' Mr. Meno excels at capturing the way that budding love can make two people feel brave and freshly alive to their surroundings...the story of the relationship has a sweet simplicity."
--The Wall Street Journal
"In Joe Meno's new novel, set in the last year of the 20th century, art school dropout Odile Neff and amateur sound artist Jack Blevins work deadening office jobs; gush about indie rock, French film, and obscure comic book artists; and gradually start a relationship that doubles as an art movement. They are, in other words, the 20-something doyens of pop culture and their tale of promiscuous roommates, on-again/off-again exes, and awkward sex is punctuated on the page by cute little doodles, black and white photographs (of, say, a topless woman in a Stormtrooper mask), and monologues that could easily pass for Belle & Sebastian lyrics ("It doesn’t pay to be a dreamer because all they really want you to do is answer the phone")."
--Publishers Weekly (Pick of the Week)
"Meno has constructed a snowflake-delicate inquiry into alienation and longing. Illustrated with drawings and photographs and shaped by tender empathy, buoyant imagination, and bittersweet wit, this wistful, provocative, off-kilter love story affirms the bonds forged by art and story."
--Booklist (starred review)
No one dies in Office Girl. Nobody talks about the international political situation. There is no mention of any economic collapse. Nothing takes place during a World War.
Instead, this novel is about young people doing interesting things in the final moments of the last century. Odile is a lovely twenty-three-year-old art-school dropout, a minor vandal, and a hopeless dreamer. Jack is a twenty-five-year-old shirker who's most happy capturing the endless noises of the city on his out-of-date tape recorder. Together they decide to start their own art movement in defiance of a contemporary culture made dull by both the tedious and the obvious. Set in February 1999 just before the end of one world and the beginning of another Office Girl is the story of two people caught between the uncertainty of their futures and the all-too-brief moments of modern life.
Joe Meno's latest novel also features black-and-white illustrations by renowned artist Cody Hudson and photographs by visionary photographer Todd Baxter.
Review: Amazon Best Books of the Month, July 2012: Light but not fluffy, spare but not small, this novel from the Chicago-based playwright and novelist is a love letter to youth, art, and, well, love. It is 1999, and 23-year-old Odile (think the actress from Amélie or The Entertainer, except she’s American; ever self-aware, Meno concludes the book with a note expecting a movie version) and Jack, a 25-year-old semi-slacker, meet through their excruciatingly dull cubicle jobs and decide to start their own unboring art movement. Along the way, they talk, ride bicycles, and do graffiti. But the plot here is not the thing. Meno’s style is charmingly simple: He writes in short chapters mercifully light on irony and peppered with black-and-white illustrations and photographs that stop just this side of cute, raising this tale of frustrated Gen-Xers way above the clichéd boy-meets-girl, boy-loses-girl story of any era. --Sara Nelson
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