Off-Off-Broadway Explosion: How Provocative Playwrights of the 1960's Ignited a New American Theater. Dieser Artikel ist nicht verfügbar.
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Sprache: Englisch
Verlag: Back Stage Books, 2003
- Softcover
- Gebraucht

Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
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Nicht verfügbar
Softcover
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Artikelbeschreibung des Verkäufers
Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Bestandsnummer des Verkäufers G0823088324I3N00
- Titel
- Off-Off-Broadway Explosion: How Provocative Playwrights of the 1960's Ignited a New American Theater
- Autor
- David A. Crespy
- Verlag
- Back Stage Books
- Erscheinungsjahr
- 2003
- Zustand
- Good
- Schutzumschlag
- No Jacket
- Einband
- Paperback
- Sprache
- Englisch
- ISBN-10
- 0823088324
- ISBN-13
- 9780823088324
- Artikelgewicht
- 0,8 Pfund
Foreword by Edward Albee
The off-off-Broadway movement of the 1960s remains one of the most dynamic periods in the history of American theater. Filled with one-on-one interviews and entertaining anecdotes, Off-Off-Broadway Explosion explores the backstage stories and captivating history of the unusual venues and legendary personalities of the era.
Readers will discover intimate accounts of the innovative Beat Generation playwrights who transformed the New York stage, such as Edward Albee, Sam Shepard, Lanford Wilson, Amiri Baraka, Jean-Claude van Itallie, and many other artists whose legacy is still felt within theater halls today. Theyll learn about the Greenwich Village visionaries who allowed emerging playwrights to showcase experimental works not welcome on the traditional stage, such as Joseph Cino, the wildly eccentric papa who sired Caffe Cino, and Al Carmines, the radical minister of Judson Memorial Church, whose Judson Poets Theater was known for the avant-garde musicals conceived by the pastor himself.
Finally, a special chapter, Your Own Off-Off-Broadway, advises todays playwrights and theater artists how give voice to their own work and find progressive audiences to appreciate it.
Playwrights Discussed:
Edward Albee
Sam Shepard
Amiri Baraka
Landford Wilson
Maria Irene Fornés
Jean-Claude van Itallie
Robert Patrick
Megan Terry
Rochelle Owens
Doric Wilson
and many others
Documents the origins of innovative
off-off-broadway plays and their writers
Includes archival, rarely seen photos
Personal interviews with leading playwrights
Applicable advice for theater groups in any city
The off-off-Broadway movement of the 1960s remains one of the most dynamic periods in the history of American theater. Filled with one-on-one interviews and entertaining anecdotes, Off-Off-Broadway Explosion explores the backstage stories and captivating history of the unusual venues and legendary personalities of the era.
Readers will discover intimate accounts of the innovative Beat Generation playwrights who transformed the New York stage, such as Edward Albee, Sam Shepard, Lanford Wilson, Amiri Baraka, Jean-Claude van Itallie, and many other artists whose legacy is still felt within theater halls today. Theyll learn about the Greenwich Village visionaries who allowed emerging playwrights to showcase experimental works not welcome on the traditional stage, such as Joseph Cino, the wildly eccentric papa who sired Caffe Cino, and Al Carmines, the radical minister of Judson Memorial Church, whose Judson Poets Theater was known for the avant-garde musicals conceived by the pastor himself.
Finally, a special chapter, Your Own Off-Off-Broadway, advises todays playwrights and theater artists how give voice to their own work and find progressive audiences to appreciate it.
Playwrights Discussed:
Edward Albee
Sam Shepard
Amiri Baraka
Landford Wilson
Maria Irene Fornés
Jean-Claude van Itallie
Robert Patrick
Megan Terry
Rochelle Owens
Doric Wilson
and many others
Documents the origins of innovative
off-off-broadway plays and their writers
Includes archival, rarely seen photos
Personal interviews with leading playwrights
Applicable advice for theater groups in any city
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Über die Autorin bzw. den Autor
David A. Crespy, a playwright who holds a Ph.D. in theater history, is an assistant professor in the Department of Theatre at the University of Missouri, Columbia.
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