Whose Number Is Up, Anyway? (Harlequin Next Series)
Sprache: Englisch
Verlag: Harlequin Next, 2007
- Softcover
- Gebraucht

Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
Verkäufer:in bei ZVAB seit 2. Juli 2009
Zustand: Gebraucht - Befriedigend
EUR 5,99
Anzahl: 1 verfügbar
In den WarenkorbArtikelbeschreibung des Verkäufers
Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Bestandsnummer des Verkäufers G0373881398I3N00
- Titel
- Whose Number Is Up, Anyway? (Harlequin Next Series)
- Autor
- Stevi Mittman
- Verlag
- Harlequin Next
- Erscheinungsjahr
- 2007
- Zustand
- Good
- Schutzumschlag
- No Jacket
- Einband
- Unknown
- Sprache
- Englisch
- ISBN-10
- 0373881398
- ISBN-13
- 9780373881390
- Artikelgewicht
- 0,35 Pfund
Nor will Drew, who has told Teddi time and again she's gotto stop messing with murder scenes. Until Teddi goes frommaterial witness to potential next victim…
But the woman whose smarmy ex dubbed her "Long Island'sMost Dangerous Decorator" isn't going down without a fight.Or going down alone. Not when she's got an oh-so-irritating,way-too-irresistible cop watching her every move…
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Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.
Before redecorating a room, I always advise my clients to empty it of everything but one chair. Then I suggest they move that chair from place to place, sitting in it, until the placement feels right. Trust your instincts when deciding on furniture placement. Your room should "feel right."
?TipsFromTeddi.com
Gut feelings. You know, that gnawing in the pit of your stomach that warns you that you are about to do the absolute stupidest thing you could do. Something that will ruin life as you know it.
I've got one now, standing at the butcher counter in King Kullen, the grocery store in the same strip mall as L.I. Lanes, the bowling alley cum billiard parlor I'm in the process of redecorating for its "Grand Opening."
I realize being in the wrong supermarket probably doesn't sound exactly dire to you, but you aren't the one buying your father a brisket at a store your mother will somehow know isn't Waldbaum's.
But then, June Bayer isn't your mother.
The woman behind the counter has agreed to go into the freezer to find a brisket for me since there aren't any in the case. There are packages of pork tenderloins, piles of spareribs and rolls of sausage, but no briskets.
Warning number two, right? I should so be out of here. But no, I'm still in the same spot when she comes back out, brisketless, her face ashen. She opens her mouth like she is going to scream, but only a gurgle comes out.
And then she pinballs out from behind the counter, knocking bottles of Peter Luger Steak Sauce to the floor on her way, hitting the tower of cans at the end of the preparedfoods aisle and sending them sprawling, making her way down the aisle, careening from side to side as she goes.
Finally, from the distance, I hear her shout. "He's deeeeeeaaaad! Joey's deeeeeaaaad."
My first thought is, you should always trust your gut.
My second thought is that now my mother will know I was in King Kullen. For weeks I will have to hear "What did you expect?" as though whenever you go to King Kullen someone turns up dead. And if the detective investigating the case turns out to be Detective Drew Scoones?well, I'll never hear the end of that from her, either.
Several people head for the butcher's freezer and I position myself to block them. If there's one thing I've learned from finding people dead?and this guy is not my first?it's that the police get very testy when you mess with their murder scenes.
"You can't go in there until the police get here," I say, stationing myself at the end of the butcher's counter and in front of the Employees Only door, acting like I'm some sort of authority. "You'll contaminate the evidence if it turns out to be murder."
Shouts and chaos. You'd think I'd know better than to throw the word murder around. Cell phones are flipping open and tongues are wagging.
I amend my statement quickly. "Which, of course, it probably isn't. Murder, I mean. People die all the time and it's not always in hospitals or their own beds, or?" I babble when I'm nervous and the idea of someone dead on the other side of the freezer door makes me very nervous.
So does the idea of seeing Drew Scoones again. Drew and I have this on-again, off-again sort of thing?that I kind of turned off.
Who knew he'd take it so personally when he tried to get serious and I responded by saying we could talk about us tomorrow?and then caught a plane to my parents condo in Boca the next day? In July. In the middle of a job.
For some crazy reason, he took that to mean that I was avoiding him and the subject of us.
That was three months ago. I haven't seen him since. The manager, who identifies himself and points to his name tag in case I don't believe him, says he has to go into his cooler. "Maybe Joey's not dead," he says. "Maybe he can be saved, and you're letting him die in there. Did you ever think of that?"
In fact, I hadn't. But I had thought that the murderer might try to go back in to make sure his tracks were covered, so I say that I will go in and check."
Which means that the manager and I couple up and go in together while everyone pushes against the doorway to in, erasing any chance of finding clean prints on that Employee Only door.
I expect to find carcasses of dead animals hanging from hooks and maybe Joey hanging from one, too. I think it's going to be very creepy and I steel myself, only to find a rather benign series of shelves with large slabs of meat laid out carefully on them, along with boxes and boxes marked simply "chicken."
Nothing scary here, unless you count the body of a middle-aged man with graying hair sprawled faceup on the floor. His eyes are wide open and unblinking. His shirt is stiff. His pants forgive the pun?is frozen. Bill-the-manager crosses himself and stands mute while I pronounce the guy dead in a sort of happy-now? tone.
"We should not be in here," I say, and he nods his head emphatically and helps me push people out of the doorway just in time to hear the police sirens and see the cop cars pull up outside the big store windows.
Bobbie Lyons, my partner in Teddi Bayer Interior Designs and also my neighbor, best friend and private fashion police), and Mark, our carpenter (and my dog-sitter, conand ego-booster), rush in from next door. They beat cops by a half step and shout out my name. People point my direction.
After all the publicity that followed the unfortunate incident during which I shot my ex-husband, Rio Gallo, and then the subsequent murder of my first client?which I solved, I might add?it seems like the whole world, or at least all of Long Island, knows who I am.
Mark asks if I'm all right. (Did I remember to mention that the man is drop-dead-gorgeous-but-a-decade-tooyoung-for-me-yet-too-old-for-my-daughter-thank-God?) I don't get a chance to answer him because the police are quickly closing in on the store manager and me.
"The woman?" I begin telling the police. Then I have to pause for the manager to fill in her name, which he does: Fran.
I continue. "Right. Fran. Fran went into the freezer to get a brisket. A moment later she came out and screamed that Joey was dead. So, I'd say she was the one who discovered the body."
"And you are??" the cop asks me. It comes out a bit like who do I think I am, rather than who am I really?
"An innocent bystander," Bobbie, hair perfect, makeup and me.
"And she was just leaving," Mark adds. They each take one of my arms.
Fran comes into the inner circle surrounding the cops. In case it isn't obvious from the hairnet and blood-stained white apron with "Fran" embroidered on it, I explain that she was the butcher who was going for the brisket. Mark and Bobbie take that as a signal that I've done my job and they can now get me out of here. They twist around, with me in the middle, like we're a Rockettes line, until we are facing away from the butcher counter. They've managed to propel me a few steps toward the exit when disaster?in the form of a Mazda RX-7 pulling up at the loading curb?strikes.
Mark's grip on my arm tightens like a vise. "Too late," he says.
Bobbie's expletive is unprintable. "Maybe there's a back door," she suggests, but Mark is right. It's too late.
I've laid my eyes on Detective Scoones. And while my gut is trying to warn me that my heart shouldn't go there, regions farther south are melting at just the sight of him.
"Walk," Bobbie orders me.
And I try to. Really.
Walk, I tell myself. Just put one foot in front of the other.
I can do this because I know, in my heart of hearts, that if Drew Scoones were still interested in me, he'd have gotten in touch with me after I returned from Boca. And he...
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