The Nude from Gauguin to Bonnard : Eve, Icon of Modernity?. Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: ACC Art Books - IPSUK Jun 2018, 2018
- Softcover
- Neu

Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 14. August 2006
Nicht verfügbar
Softcover
Zustand: Neu
EUR 39,62
Artikelbeschreibung des Verkäufers
Neuware - Since easel painting began, the figure of Eve has been found in the work of painters from Masaccio to Rubens. The catalogue presents nearly 70 works from Symbolists, Nabis, Fauvists, Cubists and Surrealists.
Bestandsnummer des Verkäufers 9788836626649
- Titel
- The Nude from Gauguin to Bonnard : Eve, Icon of Modernity?
- Autor
- Veronique Serrano
- Verlag
- ACC Art Books - IPSUK Jun 2018
- Erscheinungsjahr
- 2018
- Zustand
- Neu
- Einband
- Taschenbuch
- Sprache
- Englisch
- ISBN-10
- 8836626645
- ISBN-13
- 9788836626649
- Artikelgewicht
- 958 Gramm
- Abmessungen
- 298x240x9 mm
Since easel painting began, the figure of Eve has been found in the work of painters from Masaccio to Rubens, taking in Michelangelo, Bosch and Brueghel along the way. In the 12th century, the image of the first woman emerged as being the common theme which brought painters and sculptors together around issues relating to the body. The first woman, or the only woman in an artist's world, Eve is the intrinsic representation of the nude. So many artists, from Gauguin with his exotic Eve or Bonnard with Marthe-Eve, succumbed to this portrayal of nudity as either shameful or as an ideal, inherently primitive. The catalogue presents nearly 70 works from Symbolists, Nabis, Fauvists, Cubists and Surrealists: Gauguin, Bonnard, Rodin, Sérusier, Denis, Redon, Matisse, Dufy, Picasso, Douanier Rousseau, Arp, Giacometti and Chagall. It endeavours to trace the story of Eve, the source for the figurative body, at greater length and in more depth, through essays by Jean Louis Schefer and Véronique Serrano, as well as focus pieces by Gilles Genty, Laurence Madeline, Aline Magnien and Elisabeth Pacoud-Rème. Roberto Mangú's contemporary view talks of the need that present-day painting, and art in general, has for the presence of Eve, in terms of her unchanging qualities.
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Von der hinteren Coverseite
Since easel painting began, the figure of Eve has been found in the work of painters from Masaccio to Rubens, taking in Michelangelo, Bosch and Brueghel along the way. In the 12h century, the image of the first woman emerged as being the common theme which brought painters and sculptors together around issues relating to the body. The first woman, or the only woman in an artist's world, Eve is the intrinsic representation of the nude. Like so many artists, Gauguin with his exotic Eve or Bonnard with Marthe-Eve, succumbed to this portrayal of nudity as either shameful or as an ideal, inherently primitive. The catalogue presents nearly 70 works from Symbolists, Nabis, Fauves, Cubists and Surrealists: Gauguin, Bonnard, Rodin, Sérusier, Denis, Redon, Matisse, Dufy, Picasso, Douanier Rousseau, Arp, Giacometti and Chagall. It endeavours to trace the story of Eve, the source for the figurative body, at greater length and in more depth, through essays by Jean Louis Schefer and Véronique Serrano, as well as focus pieces by Gilles Genty, Laurence Madeline, Aline Magnien and Elisabeth Pacoud-Rème. Roberto Mangú's contemporary view talks of the need that present-day painting, and art in general, has for the presence of Eve, in terms of her unchanging qualities.With contributions from: Gilles Genty, Laurence Madeline, Aline Magnien, Roberto Mangú, Elisabeth Pacoud-Rème, Jean Louis Schefer
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