Buchnummer des Verkäufers
A Gate Enables passage between what is inside and what is outside, and the connection poetry forges between inner and outer lives is the fundamental theme of these nine essays.
Nine Gates begins with a close examination of the roots of poetic craft in "the mind of concentration" and concludes by exploring the writer's role in creating a sense of community that is open, inclusive and able to bind the individual and the whole in a way that allows each full self-expression. in between, Nine Gates illumines the nature of originality, translation, the various strategies by which meaning unfolds itself in language, poetry's roots in oral memory and the importance of the shadow to good art.
A person who enters completely into the experience of a poem is initiated into a deeper intimacy with life. Delving into the nature of poetry, Jane Hirshfield also writes on the nature of the human mind, perception and experience. Nine Gates is about the underpinnings of poetic craft, but it is also about a way of being alive in the world -- alertly, musically, intelligently, passionately, permeably.
In part a primer for the general reader, Nine Gates is also a manual for the working writer, with each "gate" exploring particular strategies of language and thought that allow a poem to convey meaning and emotion with clarity and force. Above all, Nine Gates is an insightful guide to the way the mind of poetry awakens our fundamental consciousness of what can be known when a person is most fully alive.
Review: Gary Snyder writes that Jane Hirshfield's essays have "a diamond-hard set of insights to share" about the nature of poetry. Hirshfield approaches poetry from a number of angles and discusses a wide-ranging body of work, including ancient Egyptian love poets, Allen Ginsberg, W. B. Yeats, Emily Dickinson, Stevie Smith, and Li Po. Hirshfield is also a fine poet, and this skill tempers her insights with humility: she knows she is attempting to explain the inexplicable, so she doesn't try to disentangle the mystery. Especially recommended is the engaging "Poetry and the Mind of Indirection."
Buchbeschreibung New York, Harper Collins., 1998. First Edition. Octavo. IX, 228 pages. Original Softcover. Near Fine condition with only minor signs of external wear and some slight staining to the cover. This book of essays focuses on the art and craft of poetry. Jane Hirshfield was born on East 20th Street, New York City. She received her bachelor's degree from Princeton University in the school's first graduating class to include women. Never a full-time academic, Hirshfield has taught at the University of California, Berkeley, University of San Francisco, The Bennington Writing Seminars, and as the Elliston Visiting Poet at the University of Cincinnati. She was the Hellman Visiting Artist in 2013 in the Neuroscience Department at University of California, San Francisco, and Stanford University's 2016 Mohr Visiting Professor in Poetry. Hirshfield’s poetry reflects her immersion in a wide range of poetic traditions, both Asian and Western, interests found also in the essays of Nine Gates and Ten Windows. Polish, Scandinavian, and Eastern European poets have been particularly important to her, along with the poetry of Japan and China. Zbigniew Herbert’s poem, "Pebble" was an influence on Hirshfield’s small studies, also called pebbles, included in After and Come, Thief. (Wikipedia). Artikel-Nr. 43390AB