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Nijhoff, Van Ostaijen, "De Stijl": Modernism in the Netherlands and Belgium in the first quarter of the 20th Century

BULHOF, F. (ed.)

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ISBN 10: 9024718570 / ISBN 13: 9789024718573
Verlag: Martinus Nijhoff, The Hague, Netherlands, 1976
Gebraucht Zustand: Very Good Softcover
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Six essays. x, 136pp, black/white illustrations. essays from a symposium on Modernism in the Low Countries, 1915-1930 with 21 plates. Contributors are Jan Brandt Corstius, A. Van Elslander, Paul Hadermann, Egbert Krispyn, Robert P. Welsh and A.L. Sotemann. Buchnummer des Verkäufers 022033

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Bibliografische Details

Titel: Nijhoff, Van Ostaijen, "De Stijl": Modernism...

Verlag: Martinus Nijhoff, The Hague, Netherlands

Erscheinungsdatum: 1976

Einband: paperback

Zustand: Very Good

Zustand des Schutzumschlags: No Dust Jacket

Auflage: First Edition.

Art des Buches: Clean Copy

Über diesen Titel

Inhaltsangabe:

FRANCIS BULHOF "What was Modernism?" That is the title of an address delivered in June of 1960 by the eminent comparatist Harry Levin at Queen's University in King­ ston, Ontario.1 Apparently, more than a decade ago, in the eyes of this per­ ceptive analyst of literature and the arts, the modernist movement had become a thing of the past. Having acquired full citizenship in the republic of letters, modernism had outlived itself. The title of Harry Levin's lecture bears an obvious resemblance to that of Fritz Martini's book-length essay Was war Expressionismus?,2 which dealt exclusively with the German variant of the expressionist movement. In the case of German expressionism there is much dispute concerning the precise moment of its decline and fall, but the political conditions provide at least a crucial dividing line in the year 1933. The end of modernism, however, a far more comprehensive movement which was not just limited to one country, is not so easy to determine. And there is also still much discussion about its roots.

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