Night Train to Lisbon
Mercier, Pascal and Harshav, Barbara (Translator)
Sprache: Englisch
Verlag: Grove Press, New York, 2008
- Softcover
- Gebraucht

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In den WarenkorbArtikelbeschreibung des Verkäufers
[10], 438 pages. Slight cover wear and soiling. Slightly cocked. This has been called one of the Great European Novels of the past few years. A huge international bestseller, Night Train to Lisbon is a stunning novel of a man in the present day exploring a mystery that illuminates a place and its past. Raimund Gregorius teaches classical languages at a Swiss Lycee, and lives a life of routine. One day, a chance encounter with an enigmatic Portuguese woman inspires him to question his life and leads him to an extraordinary book that will open the possibility of changing it. He takes the train to Lisbon that same night, and with him the words of Amadeu de Prado, a doctor whose principles led him into confrontation with Salazar's dictatorship, and a man whose intelligence and magnetism left a mark on everyone he met. As Gregorius becomes fascinated with the mystery of who Prado was--meeting Prado's eighty-year-old sister, who keeps his house like a museum; an elderly torture survivor confined to a nursing home; and Prado's childhood friend and eventual partner in the resistance--an extraordinary tale takes shape. Night Train to Lisbon is a haunting tale of repression, resistance, love, and the human struggle to connect. Reminiscent of The Shadow of the Wind and The House of Spirits, Night Train to Lisbon will be remembered for its soul, wit, universality, and resonant depth. This book is a haunting tale of repression, resistance, love, and the human struggle to connect. The book will be remembered for its soul, wit, universality, and resonant depth. Peter Bieri (born 23 June 1944), better known by his pseudonym, Pascal Mercier, is a Swiss writer and philosopher. As a writer, Bieri uses the pseudonym Pascal Mercier, made up of the surnames of the two French philosophers Blaise Pascal and Louis-Sébastien Mercier. Peter Bieri has published four novels to date. Reviewers have identified "heart, woe and a lot of fate" as "his recipe for success" which Bieri, aiming at "wellness literature", applies in each of his books. Bieri co-founded the research unit for Cognition and Brain studies at the German Research Foundation. The focuses of his research were the philosophy of mind, epistemology, and ethics. From 1990 to 1993, he was a professor of the history of philosophy at the University of Marburg; from 1993 he taught philosophy at the Free University of Berlin while holding the chair of analytic philosophy, succeeding his mentor, Ernst Tugendhat. In 2007 he retired early, disillusioned by academic life and condemning what he saw as the rise of managerialism and decline in respect for academic work. Derived from a Kirkus review: An elegant meditative book teaches a painfully ironic life lesson in German-Swiss author Mercier's searching 2004 novel, a critically acclaimed international bestseller. He who learns the lesson is 50ish Raimund Gregorius, a philologist who teaches Latin, Greek and Hebrew at a Swiss high school?until an unknown woman excites the scholar's interest in an obscure book of philosophical observations penned by an equally unknown Portuguese author. Impulsively abandoning his academic responsibilities, Gregorius acquires the rare volume, ponders its contents and travels to Lisbon to research the life of its "vanished" author. He discovers that Amadeu de Prado, a would-be priest who became a renowned physician, had led an even more complex life as a member of the resistance movement opposing Portugal's notorious dictator Antonio Salazar. The story emerges from Gregorius's meetings: with Prado's aged sister Adriana, the stoical though not uncritical preserver of his memory; a contemplative priest with whom the nonbelieving doctor had often debated theology; the brilliant and beautiful colleague Estefânia, who may have been Prado's true soul mate; and the Resistance comrade Vítor Coutinho, who discloses the "evil" act (saving the life of a vicious secret police official) that motivated Prado to forsake the life of the min.…
Bestandsnummer des Verkäufers 82509
- Titel
- Night Train to Lisbon
- Autor
- Mercier, Pascal and Harshav, Barbara (Translator)
- Verlag
- Grove Press, New York
- Erscheinungsjahr
- 2008
- Zustand
- Good
- Einband
- Trade Paperback
- Sprache
- Englisch
- ISBN-10
- 0802118585
- ISBN-13
- 9780802118585
- Auflage
- Uncorrected Proof.
- Verkäuferkataloge
- Torture
„Inhaltsangabe“ gehört möglicherweise zu einer anderen Auflage dieses Titels.
Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.
NIGHT TRAIN TO LISBON
By PASCAL MERCIERGrove Press
Copyright © 2004 Carl Hanser Verlag Muenchen WienAll right reserved.
ISBN: 978-0-8021-1858-5
Chapter One
The day that ended with everything different in the life of Raimund Gregorius began like countless other days. At quarter to eight, he came from Bundesterrasse and stepped onto the Kirchenfeldbrcke leading from the heart of the city to the Gymnasium. He did that every workday of the school term always at quarter to eight. Once when the bridge was blocked, he made a mistake in beginning Greek class afterward. That had never happened before nor did it ever happen again. For days, the whole school talked of nothing but this mistake. The longer the discussion lasted, the more it was thought to be a mistake in hearing. At last, this conviction won out even among the students who had been there. It was simply inconceivable that Mundus, as everyone called him, could make a mistake in Greek, Latin or Hebrew.Gregorius looked ahead at the pointed towers of the Historical Museum of the City of Bern, up to the Gurten and down to the Aare with its glacier green water. A gusty wind drove low-lying clouds over him, turned his umbrella inside out and whipped the rain in his face. Now he noticed the woman in the middle of the bridge. She had leaned her elbows on the railing and was reading in the pouring rain what looked like a letter. She must have been holding the sheet with both hands. As Gregorius came closer, she suddenly crumpled the paper, kneaded it into a ball and threw the ball into space with a violent movement. Instinctively, Gregorius had walked faster and was now only a few steps away from her. He saw the rage in her pale, rain-wet face. It wasn't a rage that could be dumped into words and then blow over. It was a grim rage turned inward that must have been smoldering in her for a long time. Now the woman leaned on the railing with outstretched arms, and her heels slipped out of her shoes. Now she jumps. Gregorius left the umbrella to a gust of wind that drove it over the railing, threw his briefcase full of school notebooks to the ground and uttered a string of curses that weren't part of his usual vocabulary. The briefcase opened up and the notebooks slid onto the wet pavement. The woman turned around. For a few moments, she watched unmoving as the notebooks darkened with the water. Then she pulled a felt-tipped pen from her coat pocket, took two steps, leaned down to Gregorius and wrote a line of numbers on his forehead.
"Forgive me," she said in French, breathless and with a foreign accent. "But I mustn't forget this phone number and I don't have any paper with me."
Now she looked at her hands as if she were seeing them for the first time.
"Naturally, I could have ..." And now, looking back and forth between Gregorius's forehead and her hand, she wrote the numbers on the back of the hand. "I ... I didn't want to keep it, I wanted to forget everything, but when I saw the letter fall ... I had to hold onto it."
The rain on the thick eyeglasses muddied Gregorius's sight, and he groped awkwardly for the wet notebooks. The tip of the felt pen seemed to slide over his forehead again. But then he realized it was now the fingers of the woman, who was trying to wipe away the numbers with a handkerchief.
"It is out of line, I know ..." And now she started helping Gregorius gather up the notebooks. He touched her hand and grazed her knee, and when the two of them reached for the last notebook, they bumped heads.
"Thank you very much," he said when they stood facing each other. He pointed to her head. "Did it hurt?"
Absently, looking down, she shook her head. The rain beat down on her hair and ran over her face.
"Can I walk a few steps with you?"
"Ah ... yes, of course," Gregorius stammered.
Silently they walked together to the end of the bridge and on toward the school. The sense of time told Gregorius that it was after eight and the first hour had already begun. How far was "a few steps"? The woman had adjusted to his pace and plodded along beside him as if she would go on like that all day. She had pulled the wide collar of her coat so high that, from the side, Gregorius saw only her forehead.
"I have to go in here, into the Gymnasium," he said and stood still. "I'm a teacher."
"Can I come along?" she asked softly.
Gregorius hesitated and ran his sleeve over his wet glasses. "In any case, it's dry there," he said at last.
She went up the stairs, Gregorius held the door open for her, and then they stood in the hall, which seemed especially empty and quiet now that classes had started. Her coat was dripping.
"Wait here," said Gregorius and went to the bathroom to get a towel.
At the mirror, he dried the glasses and wiped off his face. The numbers could still be seen on his forehead. He held a corner of the towel under the warm water and wanted to start rubbing when he stopped in the middle of the movement. That was the moment that decided everything, he thought when he recalled the event hours later. That is, all of a sudden, he realized that he really didn't want to wipe away the trace of his encounter with the enigmatic woman.
He imagined appearing before the class afterward with a phone number on his face, he, Mundus, the most reliable and predictable person in this building and probably in the whole history of the school, working here for more than thirty years, impeccable in his profession, a pillar of the institution, a little boring perhaps, but respected and even feared in the university for his astounding knowledge of ancient languages, mocked lovingly by his students who put him to the test every year by calling him in the middle of the night and asking about the conjecture for a remote passage in an ancient text, only to get every time off the top of his head information that was both dry and exhaustive, including a critical commentary with other possible meanings, all of it presented perfectly and calmly without a soupon of anger at the disturbance-Mundus, a man with an impossibly old-fashioned, even archaic first name you simply had to abbreviate, and couldn't abbreviate any other way, an abbreviation that revealed the character of this man as no other word could have, for what he carried around in him as a philologist was in fact no less than a whole world, or rather several whole worlds, since along with those Latin and Greek passages, his head also held the Hebrew that had amazed several Old Testament scholars. If you want to see a true scholar, the Rector would say when he introduced him to a new class, here he is.
And this scholar, Gregorius thought now, this dry man who seemed to some to consist only of dead words, and who was spitefully called the Papyrus by colleagues who envied him his popularity -this scholar would enter the room with a telephone number painted on his forehead by a desperate woman apparently torn between rage and love, a woman in a red leather coat with a fabulously soft, southern voice, that sounded like an endless hesitant drawl that drew you in merely by hearing it.
When Gregorius had brought her the towel, the woman clamped a comb between her teeth and used the towel to rub the long black hair lying in the coat collar as in a bowl. The janitor entered the hall and, when he saw Gregorius, cast an amazed look at the clock over the exit and then at his watch. Gregorius nodded to him, as he always did. A student hurried past, turned around twice and went on.
"I teach up there," Gregorius said to the...
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