Nabokov's Favorite Word Is Mauve: What the Numbers Reveal about the Classics, Bestsellers, and Our Own Writing. Dieser Artikel ist nicht verfügbar.
2.070 Bewertungen von Goodreads
Sprache: Englisch
Verlag: Simon & Schuster, 2017
- Hardcover
- Gebraucht

Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 2. Juli 2009
Nicht verfügbar
Hardcover
Zustand: Gebraucht - Gut
EUR 7,20
Artikelbeschreibung des Verkäufers
May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Bestandsnummer des Verkäufers G1501105388I4N00
- Titel
- Nabokov's Favorite Word Is Mauve: What the Numbers Reveal about the Classics, Bestsellers, and Our Own Writing
- Autor
- Blatt, Ben
- Verlag
- Simon & Schuster
- Erscheinungsjahr
- 2017
- Zustand
- Very Good
- Schutzumschlag
- No Jacket
- Einband
- Hardcover
- Sprache
- Englisch
- ISBN-10
- 1501105388
- ISBN-13
- 9781501105388
- Artikelgewicht
- 1,1 Pfund
An NPR Best Book of 2017: “A hell of a lot of fun.” —NPR
One of Lit Hub’s “The Best Books About Books”
“Enlightening.” —The Wall Street Journal
Data meets literature in this brilliant new look at our favorite authors and their masterpieces: Do literary titans follow their own writing advice (and is it any good)? Do men and women write their characters differently? What are each author’s favorite words and clichés?
There’s a famous piece of writing advice—offered by Ernest Hemingway, Stephen King, and myriad writers in between—not to use -ly adverbs like “quickly” or “fitfully.” It sounds like solid advice, but can we actually test it? If we were to count all the -ly adverbs these authors used in their careers, do they follow their own advice compared to other celebrated authors? And do great books in general—the classics and the bestsellers—use fewer adverbs?
In Nabokov’s Favorite Word Is Mauve, statistician and journalist Ben Blatt brings big data to the literary canon, exploring the wealth of fun findings that remain hidden in the works of the world’s greatest writers. He assembles a database of thousands of books and hundreds of millions of words, and starts asking the questions that have intrigued curious word nerds and book lovers for generations: What are our favorite authors’ favorite words? Do men and women write differently? Are bestsellers getting dumber over time? Which bestselling writer uses the most clichés? What makes a great opening sentence? How can we judge a book by its cover? And which writerly advice is worth following or ignoring?
Blatt draws upon existing analysis techniques and invents some of his own. All of his investigations and experiments are original, conducted himself, and no math knowledge is needed to understand the results. Blatt breaks his findings down into lucid, humorous language and clear and compelling visuals. This eye-opening book offers a new appreciation of our favorite authors and a fresh perspective on our own writing, illuminating both the patterns that hold great prose together and the brilliant flourishes that make it unforgettable.
One of Lit Hub’s “The Best Books About Books”
“Enlightening.” —The Wall Street Journal
Data meets literature in this brilliant new look at our favorite authors and their masterpieces: Do literary titans follow their own writing advice (and is it any good)? Do men and women write their characters differently? What are each author’s favorite words and clichés?
There’s a famous piece of writing advice—offered by Ernest Hemingway, Stephen King, and myriad writers in between—not to use -ly adverbs like “quickly” or “fitfully.” It sounds like solid advice, but can we actually test it? If we were to count all the -ly adverbs these authors used in their careers, do they follow their own advice compared to other celebrated authors? And do great books in general—the classics and the bestsellers—use fewer adverbs?
In Nabokov’s Favorite Word Is Mauve, statistician and journalist Ben Blatt brings big data to the literary canon, exploring the wealth of fun findings that remain hidden in the works of the world’s greatest writers. He assembles a database of thousands of books and hundreds of millions of words, and starts asking the questions that have intrigued curious word nerds and book lovers for generations: What are our favorite authors’ favorite words? Do men and women write differently? Are bestsellers getting dumber over time? Which bestselling writer uses the most clichés? What makes a great opening sentence? How can we judge a book by its cover? And which writerly advice is worth following or ignoring?
Blatt draws upon existing analysis techniques and invents some of his own. All of his investigations and experiments are original, conducted himself, and no math knowledge is needed to understand the results. Blatt breaks his findings down into lucid, humorous language and clear and compelling visuals. This eye-opening book offers a new appreciation of our favorite authors and a fresh perspective on our own writing, illuminating both the patterns that hold great prose together and the brilliant flourishes that make it unforgettable.
„Inhaltsangabe“ gehört möglicherweise zu einer anderen Auflage dieses Titels.
Über die Autorin bzw. den Autor
Ben Blatt is a former staff writer for Slate and The Harvard Lampoon who has taken his fun approach to data journalism to topics such as Seinfeld, mapmaking, The Beatles, and Jeopardy! He is the author of Nabokov’s Favorite Word Is Mauve and, with Eric Brewster, the coauthor of I Don’t Care if We Never Get Back, which follows the duo’s quest to go on the mathematically optimal baseball road trip, traveling 20,000 miles to a game in all thirty ballparks in thirty days without planes. Blatt’s work has also been published in The Wall Street Journal, The Boston Globe, and Deadspin.
„Über diesen Titel“ gehört möglicherweise zu einer anderen Auflage dieses Titels.
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