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Il volume raccoglie gli Atti del Convegno “Nuove scoperte e progressi nelle metodologie di rilievo e analisi dell’arte rupestre post-paleolitica in Italia” che, svoltosi sotto l’egida dell’Istituto Italiano di Preistoria e Protostoria, ha voluto segnare un ulteriore avanzamento nella conoscenza delle manifestazioni grafiche della Preistoria recente italiana e promuovere una proficua discussione su metodi innovativi di documentazione e studio delle testimonianze di arte preistorica.

Così il volume si struttura in due parti: la prima parte che celebra la ricchezza del patrimonio rupestre italiano, sottolineando sia l’importanza di portare avanti le ricerche di sempre nuove evidenze sia la necessità di elaborare nuove chiavi di lettura; e la seconda che si inserisce e ravviva l’ampio dibattito internazionale, alimentatosi negli anni con l’introduzione e lo sviluppo delle tecnologie digitali e il perfezionamento delle tecniche non invasive di analisi.

This volume collects the proceedings of the conference ‘New discoveries and progress in the tracing and analysis methodologies of the post-Palaeolithic rock art in Italy’, which, under the aegis of the Italian Institute of Prehistory and Protohistory, aimed to mark a further advance in our understanding of graphic expressions of the recent prehistory of Italy and to promote a fruitful discussion on innovative methods for documenting and studying prehistoric art.

The volume is thus divided into two parts: the first part celebrates the richness of Italy’s rock art heritage, emphasising both the importance of continuing research to find new evidence and the need to develop new interpretative frameworks; and the second part contributes to and reignites the broad international debate, which has been fuelled over the years by the introduction and development of digital technologies and the refinement of non-invasive analytical techniques.

Anna Maria Tosatti graduated in Ancient Literature at the University of Milan, in Paleontology, and specialized at the Special School for Prehistoric Archaeologists at the University of Pisa. She worked for 30 years at the MIC and focuses on the Bronze Age, artifacts made of hard animal materials, and Holocene rock art.

Renata Grifoni Cremonesi graduated in Ancient Literature at the University of Rome La Sapienza and has a free teaching qualification in Palethnology. After working as an assistant for some time, she became a professor at the University of Pisa and is now retired. Her research focuses on the Paleolithic, Neolithic, and Metal Ages, with particular attention to ritual and funerary practices and prehistoric art.

Francesco F.M. Carrera is an archaeologist working for the Ministry of Culture. He has led numerous archaeological digs and has written publications on ancient techniques and technologies, underwater archaeology, archaeological methodology, and the archaeology of production.

Dario Sigari is a researcher at the University of Milan. He focuses on prehistoric rock art, mainly between Italy and Azerbaijan.