ISBN 10: 1890650900 / ISBN 13: 9781890650902
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Críticas: "Sara Mumolo's "Mortar "is a book of action and reflection, of succinct dramatic moments. . . . The easy, lilting physical and metaphysical figures radiate a painterly, storybook quality that messes with the concision of Mumolo's diction, her unexpected puns." --Norma Cole, author, " To Be At Music"

"By examining the ideology of their own careful phrasing, her poems reveal and revel in what it means for a citizen to belong simultaneously to a plurality of subject positions and symbolic systems. The surreal intersections of gender, nation, class, language and genre become, in her work, 'an activity / not an image, ' a subversive motile language that dares to 'disarm the most comfortable beliefs' and critique 'how the bourgeoisie believed in Desire.' With wry feminist humor and not a little ambivalence, her poems document the psychic costs of an economy that conflates sex and capital, the female nude and the courtesan." --Brian Teare, author, "Companion Grasses"

"Remember the Athens, Georgia band Pylon? . . . Sara Mumolo has some of that band's jittery energy and something like their sound, which is to say the anxious, odd, and increasingly common sound of personal electronic devices rendering our insides almost entirely public." --Graham Foust, author, "A Mouth in California"

Stitched Stapled Bound"

This nude is planetary, heavy. Also, what does the moon do [the moon so often allied with the feminine] begs us to answer the question it poses. If I remember correctly from elementary school science classes, the moon reflects (light). Reflections make me think of mirrors, which do not show us what we really look like, but rather switch our left and right sides. [Hence, those of us with asymmetrical faces look slightly different in a mirror than we do in a photograph.] And yet despite this reflection, this illusion, we continue stubbornly as we are. BOOMING, if you will. Mumolo s nude is claiming something back for herself. As a whole, these nudes reject their own commoditization even as they wonder just how possible it is to step out of the frame. The effect is eerie, ethereal. Jenny Drai, Stitched Stapled Bound"

This nude is planetary, heavy. Also, -what does the moon do- [the moon so often allied with the feminine] begs us to answer the question it poses. If I remember correctly from elementary school science classes, the moon reflects (light). Reflections make me think of mirrors, which do not show us what we really look like, but rather switch our left and right sides. [Hence, those of us with asymmetrical faces look slightly different in a mirror than we do in a photograph.] And yet despite this reflection, this illusion, we continue stubbornly as we are. -BOOMING,- if you will. Mumolo's nude is claiming something back for herself. As a whole, these nudes reject their own commoditization even as they wonder just how possible it is to step out of the frame. The effect is eerie, ethereal.--Jenny Drai, Stitched Stapled Bound

This nude is planetary, heavy. Also, "what does the moon do" [the moon so often allied with the feminine] begs us to answer the question it poses. If I remember correctly from elementary school science classes, the moon reflects (light). Reflections make me think of mirrors, which do not show us what we really look like, but rather switch our left and right sides. [Hence, those of us with asymmetrical faces look slightly different in a mirror than we do in a photograph.] And yet despite this reflection, this illusion, we continue stubbornly as we are. "BOOMING," if you will. Mumolo's nude is claiming something back for herself. As a whole, these nudes reject their own commoditization even as they wonder just how possible it is to step out of the frame. The effect is eerie, ethereal.--Jenny Drai, Stitched Stapled Bound

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