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Michelangelo, His Life, Work and Times.

Murray, Linda

ISBN 10: 0500013152 / ISBN 13: 9780500013151
Verlag: Thames & Hudson Ltd, 1984
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English Text. London, 1984; hardback, pp. 241, ill., cm 23x32. Buchnummer des Verkäufers 1086

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Bibliografische Details

Titel: Michelangelo, His Life, Work and Times.

Verlag: Thames & Hudson Ltd

Erscheinungsdatum: 1984

Einband: Hardcover

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Inhaltsangabe:

Michelangelo di Lodovico Buonarroti Simoni (1475 - 1564), commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer. Despite making few forays beyond the arts, the versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with his rival and fellow Italian, Leonardo da Vinci. Michelangelo's works in every field was prodigious. When the sheer volume of correspondence, sketches, and reminiscences that survive is also taken into account, he is the best-documented artist of the 16th century. Two of his best-known works, the Pietà and David, were sculpted before he turned thirty. Despite his low opinion of painting, he also created two of the most influential works in fresco in the history of Western art: the scenes from Genesis on the ceiling and The Last Judgment on the altar wall of the Sistine Chapel in Rome. As an architect, Michelangelo pioneered the Mannerist style at the Laurentian Library. At 74 he succeeded Antonio da Sangallo the Younger as the architect of Saint Peter's Basilica In a demonstration of Michelangelo's unique standing, he was the first Western artist whose biography was published while he was alive. Two biographies were published of him during his lifetime. Giorgio Vasari, proposed that he was the pinnacle of all artistic achievement since the beginning of the Renaissance, a viewpoint that continued to have currency in art history for centuries. In his lifetime he was also often called Il Divino ("the divine one").One of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and it was the attempts of subsequent artists to imitate Michelangelo's impassioned and highly personal style that resulted in Mannerism, the next major movement in Western art after the High Renaissance.

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