Measure of Darkness

Here are the facts

For the parents whose children have been taken, for the broken lives we piece back together one relentless investigation at a time, our town house is a sanctuary.

My name is Alice Crane. I'm just one of a talented team working for Naomi Nantz, the brilliant and very private detective.

Today that sanctuary was violated. The famous kid-finder Randall Shane was taken away by unknown assailants, possibly government agents. Shane's client is dead, and a boy known as "the keyboard kid" is missing. What is the boy's connection to a top secret physics lab? Unknown—for now. But under Naomi's lead, we will infiltrate every illicit boardroom and bedroom and war room. We'll find that little boy or die trying.

The only thing guaranteed in this life is that Naomi Nantz won't give up. Not now, not ever.

The killer came to us in the trunk of a Lincoln Town Car, and stayed just long enough to wreck the house. By that I mean the pile of brick that Naomi Nantz uses as her personal residence as well as for the business of solving unsolvable cases, assisting the helpless and generally amusing herself by being difficult, if not impossible.

My name is Alice Crane, and I serve as Ms. Nantz's recording secretary and chief factotum. In case you don't know—I had to look it up when she hired me—a factotum is an employee or assistant employed in a wide range of capacities. I mean, come on, this is the twenty-first century, who uses fusty old words like that anymore?

My boss, Naomi Nantz, that's who.

The Nantz residence takes up most of a block in the Back Bay area of Boston. Don't bother trying to find us, we're camouflaged as two—or is it three?—typical Victorian brick town houses located somewhere between Storrow Drive to the north, Boylston Street to the south, Arlington Street to the east and Charlesgate to the west. Check your map and you'll see that pretty much covers the neighborhood. On the outside we're staid and rather ordinary, the kind of staid and ordinary that only money can buy. On the inside, which was gutted and rebuilt a few years before I entered the picture, it's clean and sleek and modern, except for the Zen sand garden that takes up part of the ground floor. Boss lady often meditates in the garden, drawing what look to me like meaningless lines in the sand, saying it helps her to think.

Like several of the staff, I live in. At the time of hire, it wasn't a choice for me because my adorable husband had suddenly vanished along with all of my money, and it was either the Nantz residence or my sister's place in Malden. The choice was Back Bay, with twelve-foot ceilings, an exquisitely furnished suite, or Malden, a paneled basement with a cat-scented futon. Not a tough decision. There are days when boss lady drives me nuts, but my sister has the same ability, and she doesn't pay. Whereas Naomi Nantz pays very well indeed, with benefits that include room and board, full medical and dental, as well as the occasional opportunity to right wrongs, dodge bullets, tilt at windmills and rescue kidnapped children.

I'd like to say there's never a dull moment, but that wouldn't be true. There are many dull moments, for which I'm thankful. Twenty-nine years on this planet have taught me that dull moments are to be savored. Dull moments fortify the soul, because without them life would just be one thing after another, blurred together like the windows on a passing subway car.

In my opinion the best dull moments occur around the kitchen table. In this case a ten-foot-long pickled-white oak table situated in the southeast corner of Mrs. Bea-sley's basement kitchen. If Beasley has a first name, she's not inclined to share it, nor any information about what might have happened to Mr. Beasley, if ever he existed. She's not much for conversation, preferring to let her food do the talking. Her food, be assured, is eloquent on many subjects. For most people "fruit plate" suggests a cafeteria serving, but then most people have never had the experience of a Beasley Breakfast Fruit Plate. Farm fresh local strawberries dusted with one of her secret ingredients—could it be some exotic formulation of cinnamon? Perfectly ripened peaches that have doubtless been airlifted in from Georgia (Beasley has many connections) and sliced into mouth-size morsels. A single Medjool date stuffed with diced pecans. A chilled pear compote, lightly gingered. Honeyed bran muffins straight from the oven, slathered with hand-churned apricot butter that will make your eyes roll back in pleasure. And Mrs. Beasley's famous French press coffee, which makes your favorite Starbucks taste like thin dishwater.

There are only three at the table this morning because young Teddy Boyle, our spiky-haired live-in computer guru, has not yet emerged from his dungeon. Too much late-night fun, apparently. Well, he's of a late-night age, either twenty-one (so he says) or eighteen (so Naomi thinks) or barely sixteen (my theory). Whatever, he's missing the muffins, so to speak.

For the better part of half an hour there are no more than a dozen words exchanged between us. Naomi, never a casual conversationalist, concentrates on her morning papers: the Boston Herald, Boston Globe, New York Times and Wall Street Journal, which she studies in exactly that order. Nothing casual about it, although she seems to enjoy the process as she scans and absorbs the text. Among her many talents, virtual retention of everything she sees, hears and reads. Not word-for-word, but the essence thereof. On many a case her remarkable memory has dredged up some small, useful item of information from weeks or months or even years ago. A notice of alternate parking on a particular street in the South End. Who was third runner-up in a celebrity fishing tournament in Nantucket. A warehouse fire in Jamaica Plain. A hit-and-run in Chelsea. Lives have been saved because of what she remembers, villains apprehended. In one very disturbing case a prominent sociopath took his own life—and if you knew the circumstances, and the unspeakable crime he committed, you'd undoubtedly agree he made the right choice.

While Naomi reads, uploading data, Mrs. Beasley, silent as usual, methodically fills in Sudoku squares using a felt-tip pen, never lifting her eyes from the page. Left to myself I'd probably have the TV on to one of the morning chat shows, but there are house rules about television, so I content myself with the Globe's entertainment section, improving my cultural awareness about the hottest new reality show.

"Beasley, do you mind a question?"

Beasley looks up from her puzzle, shrugs.

"Okay, here goes. Say you're a celebrity chef who has to prepare tarantula for eight—you're in a Central American jungle, campfire but no stove—could you make it taste good?"

"No," she says, after giving it some thought. "Not tarantulas. I could do something with jumping spiders."

I'm pretty sure she's kidding, but can't be certain because that happens to be the moment when dapper Jack Delancey, our chief investigator, strolls in and makes the request that will soon result in us being invaded and the house, or part of it, being wrecked.

"Sorry to interrupt, but this is an emergency situation," he announces, his lean, athletic figure ramrod straight in a gorgeously tailored dark gray suit, a look that gets him dubbed "Gentleman Jack" in the tabloids. "I need your help."

"You, specifically?" Naomi asks, instantly alert.

"A friend."

Naomi's eyes drift back to the Journal. "Go through proper channels," she says. "Being an employee doesn't mean we drop everything to assist some crony of yours, Jack, certainly not before we've finished coffee. Run it by Dane, that's the way it's done."

Jack, normally a very cool customer, responds with an unexpected edge to his mellifluous baritone. "In about three seconds you'll be removing your foot from your mouth. The man in trouble is Randall Shane."

The name is not familiar to me, but evidently it is to Naomi because she pushes back her chair and goes, "Why didn't you say so? Where is he?"

Jack grins handsomely. "Little problem there."

The Nantz residential garage is located on one of the so-called "public alleys" that bisect the blocks here in the Back Bay. The idea was that tradesmen would approach from the rear, skulking...