Love goes beyond being a feeling; it entails a conscious effort to grasp, to rediscover a tenderness in palms calloused in sin.
Find yourself in the harsh reality of gaining independence, in an era that proves brutal for the unprivileged.
Wallow in the conundrums of man, an exploration of the darkest psyche, a romance built on trust alone.
She had leaped. In the depths, Charlotte is drowning in the consequences of betrayal and emotional confliction, but a renewed sense of hope ignites the hearts that had wilted in anger, taking refuge in the doctrines of trust. She is forced to form a cooperation in the middle of an island, confined to another arm, in a dent of soil, surrounded by maggots, and a previously unassuming Irish mouth, unexpectedly unleashing a torrent of words.
Quickly, Charlotte is becoming aware, love goes beyond being a feeling; it entails a conscious effort to grasp—a commitment to learn and make an attempt, and that very foundation of trust is feeble beneath the burden of trauma.
Torn between vulnerability, nostalgia, and a past still kindled, she finds herself in the harsh reality of gaining her own independence, in an era proving challenging to do so for an unlettered woman. She is met with new characters; some stuck in vile prejudices, others enduring them, and others still nursing on the blood of purity; all dwelling amongst lurking entities bound to a greater evil.
Amidst her journey, she unravels hints of a past others refuse to recall, rediscovering a tenderness in the palms that had calloused in sin. Yet there’s traces of harrowing occurrences that cling onto walls in whispers and flitting shadows, in the echoes of footfalls that vanish in her own denial. The corridor is dark and lonesome where she finds herself trudging through, but in its void, there is a tale.
Slave dives into the politics of human nature and progression. Philosophy in regard to evolution and religion will be prominent, but also, the human race itself. As the title suggests, it embraces a broad spectrum of enslavement, yet is focused on the state of the characters’ psyche. This installment will be perfect for readers who wallow in the conundrums of man, mature plot-heavy subjects, the exploration of psychological treatments and occupations in the Victorian Era, amidst a romance enveloped in unique tension, and ghastly elements of horror throughout.
Christina was twenty-seven years old at the time she began writing Loveletting. Born and raised in Greece, she has always had an affinity for language; fluently speaking Greek, German, and English. After years of experimenting with different professions, suddenly it dawned on her: writing was the only thing that actually made sense. It all started with a simple prologue in the notes of her phone, and since then, she hasn't missed a single day of writing and working on her very first novel series - breathing life into it, as it breathes life back into her. The primary goal as a writer is to strike certain melancholic chords in the heart while reading, pulling from deeply haunting personal experiences to create books that linger in the mind long after the story is finished. Her stories combine gothic romance, intense adventure with nerve-wracking suspense, entwined with vague and unsettling horror subplots - and a myriad of controversial subjects to challenge any reader's views - all taking place in the historical setting of late 19th century Victorian west. Focus lays heavily on character development, as it is crucial to her and her story; for the reader to bond with the characters, and feel like they're reading about an old friend. Her purpose is for the reader to be transported to another world, escaping from reality, and finding an eerie comfort within a haunting experience.
