A Mammal's Notebook: Collected Writings of Erik Satie (Atlas Arkhive). Dieser Artikel ist nicht verfügbar.
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Sprache: Englisch
Verlag: Atlas Pr, 1996
- Softcover
- Gebraucht

Anbieter: Wonder Book, Frederick, MD, USAWonder Book
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 1. November 1997
Nicht verfügbar
Softcover
Zustand: Gebraucht - Gut
EUR 6,44
Artikelbeschreibung des Verkäufers
Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Bestandsnummer des Verkäufers C04A-07461
- Titel
- A Mammal's Notebook: Collected Writings of Erik Satie (Atlas Arkhive)
- Autor
- Satie, Erik
- Verlag
- Atlas Pr
- Erscheinungsjahr
- 1996
- Zustand
- Very Good
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 0947757929
- ISBN-13
- 9780947757922
This is the largest selection (in any language) of Erik Satie's writings yet to appear, and includes previously unpublished texts, drawings and photographs.
Dismissed as a bizarre eccentric by many, Erik Satie has come to be seen as a key influence on twentieth century music. His compositions include, among other pieces, the ubiquitous Gymnopedies, the 3 Pieces in the Form of a Pear, and the Dada opera Relache. In later life he gathered round him Les Six and the cream of the new generation of French composers. His influence has continued to widen; John Cage and the New York School composers hailed him as "indispensable," and more recently certain of his pieces have been seen as prefiguring both Minimalist and Ambient music.
His poignant, sly and witty writings embody all his contradictions. Included here are his "autobiographical" Memoirs of an Amnesic, and wryly comic musical commentaries; the gnomic annotations to his musical scores ("For the SHRIVELLED and the DIMWITS, I have written a suitably ponderous chorale ... a kind of austere, unfrivolous introduction ... I dedicate this chorale to those who do not like me."); the publications of his private church; his absurdist play Medusa's Snare; advertising copy for his local suburban newspaper, and the mysterious, elaborately calligraphed, "private advertisements" found stuffed behind his piano after his death.
Dismissed as a bizarre eccentric by many, Erik Satie has come to be seen as a key influence on twentieth century music. His compositions include, among other pieces, the ubiquitous Gymnopedies, the 3 Pieces in the Form of a Pear, and the Dada opera Relache. In later life he gathered round him Les Six and the cream of the new generation of French composers. His influence has continued to widen; John Cage and the New York School composers hailed him as "indispensable," and more recently certain of his pieces have been seen as prefiguring both Minimalist and Ambient music.
His poignant, sly and witty writings embody all his contradictions. Included here are his "autobiographical" Memoirs of an Amnesic, and wryly comic musical commentaries; the gnomic annotations to his musical scores ("For the SHRIVELLED and the DIMWITS, I have written a suitably ponderous chorale ... a kind of austere, unfrivolous introduction ... I dedicate this chorale to those who do not like me."); the publications of his private church; his absurdist play Medusa's Snare; advertising copy for his local suburban newspaper, and the mysterious, elaborately calligraphed, "private advertisements" found stuffed behind his piano after his death.
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