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Titel: Madness Visible: A Memoir of a War (1st ...
Zustand des Schutzumschlags: Near Fine
Auflage: First Edition.
~~With publisher's press release~~FINE/NR FINE 1ST IMPRESSION 2004 BLOOMSBURY HARDBACK, UNCLIPPED DJ WITH STRIKING ALEX MAJOLI COVER PHOTO. SUPERB WAR MEMOIR. LIGHT RUB TO DJ EDGES, DULLING TO PAGES, ELSE FINE. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Biography & Autobiography; ISBN/EAN: 9780747560562. Pictures of this item not already displayed here available upon request. Inventory No: 023672. Buchnummer des Verkäufers 023672
Inhaltsangabe: Award-winning journalist Janine di Giovanni spent much of the 1990s observing the cycles of Balkan violence and vengeance from inside the cities and villages, from refugee camps, makeshift hospitals, and the homes of citizens under siege. Now, she paints an indelible portrait of the war through the staggering experiences of the people who suffered it. It was a conflict that raised challenging questions: What causes neighbours whose families have lived peacefully side by side for centuries to turn with mindless brutality against one another? How do we measure the difference between bravery and cowardice in a conflict so morally ill-defined? What becomes of survivors when the fabric of an age-old community is permanently destroyed? Searching for the answers, di Giovanni brings the human face of war into piercing focus: children dying from lack of medicine, soldiers numbed by and inured to the atrocities they committed; women driven to despair and madness by their experiences in paramilitary rape camps. Acutely perceptive, unflinching, powerfully written - "Madness Visible" will join the work of John Reed, Martha Gelhorn, Michael Herr and Ryszard Kapuscinski as a classic of its time.
Rezension: The Times' senior foreign correspondent, Janine di Giovanni's Madness Visible is powerful, dramatic and tragic. War is often as absurd as it is brutal, as squalid and meaningless as it is destructive. As Giovanni says, "[h]alf of a soldier's life is boredom. The other half is unexpected." Whilst this is often heartbreaking reportage (which should be read if only to further bring home the horror of a war that raged in at the end of the 20th century in the middle of Europe) it is not a great book if the reader is seeking deeper understanding of the historical events. The weaknesses lie in Giovanni's lack of a historical and political overview-–this is often surprisingly contextless violence. While we anecdotally-–and consequentially--learn much about the war as we pass through its victims' stories, Giovanni offers little analysis about how the war happened, how the response to it could have been better handled, and whether or not it could have been prevented. Giovanni is often in danger of ridiculing the gang of Serbs who initially holed up in Pale to direct the war (Koljevic, Karadzic) or those who took part in Dayton (Milosovic, Biljana Plavsic), thus threatening to disenable our ability to see how their violent nationalistic hypocrisy was allowed to flower. There is a concomitant danger in the book when it suggests that clever middle-class outsider children, whose parents were disenfranchised by the old communists, held a grudge for years that suddenly boiled over. While there maybe something to these psychologisms (they echo some of what is sometimes said of the Nazis) it actually sheds very scant light on the nature of human evil and the nature of a the historical/political context that allows it to flourish.
The great strength of the book is that Giovanni allows the (mostly Bosnian) voices of the Balkans to speak. If her sometimes clichéd journalese grates, somehow this never makes the book any the less powerful. While there are better books on the Balkans (Misha Glenny and Noel Malcolm are both good starting points) this has the advantage of being very current (Giovanni writes some dispatches, looking back at the war, continuing to interview those still hugely, horribly affected by it, in 2000), very moving and very humane. --Mark Thwaite
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