Inhaltsangabe
Since his appearance at the Venice Biennale in 2001 and at Documenta11, Luc Tuymans has become one of the most important painters of his generation. Since the end of the 1980s the Belgian artist has been developing an extraordinarily complex work, combining the question of representation and representability - inherent in any kind of painting - with a radical charging of pictorial motives. On the basis of a structure that is figurative and drawing-like, and always relying on material that was pre-processed medially (Polaroid shots, newspaper clippings, film stills), he creates calm, small-format pictures of cropped landscapes, objects, architecture and people. In their pastel haziness, often primed with white, these pictures evade concrete designation. This publication to the exhibition, presents a representative selection of Tuymans's works, in addition to a large set of specially created new works; the cycle "Die Zeit" (1988) about the Holocaust, and "Passion" (1999) about the essence of religion.
Reseña del editor
Since the end of the 1980s, Belgian artist Luc Tuymans has been developing an extraordinarily complex work, combining the question of representation--inherent in any kind of painting--with a radical charge of pictorial motives. Grounded in a structure that is coolly figurative and drawinglike, and materials that are always preprocessed and mediated (for example, Polaroid shots, newspaper clippings, film stills), Tuymans creates calm, small-format pictures of cropped landscapes, objects, architecture and seemingly masked people. In their pastel haziness, often primed with white, his pictures evade concrete designation. This book presents a representative selection of Tuymans' works as well as a large group of specially created new works delimited by two central picture motifs: the cycle Die Zeit references the Holocaust, whereas Passion concerns the essence of religious belief.
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