Lorenzo Lotto. Dieser Artikel ist nicht verfügbar.
Lotto, Lorenzo, Humfrey, Peter
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Sprache: Englisch
Verlag: Yale University Press, 1997
- Hardcover
- Gebraucht

Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 13. Oktober 2008
Nicht verfügbar
Hardcover
Zustand: Gebraucht - Befriedigend
EUR 15,46
Artikelbeschreibung des Verkäufers
Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Bestandsnummer des Verkäufers GRP97255921
- Titel
- Lorenzo Lotto
- Autor
- Lotto, Lorenzo, Humfrey, Peter
- Verlag
- Yale University Press
- Erscheinungsjahr
- 1997
- Zustand
- Good
- Einband
- Hardcover
- Sprache
- Englisch
- ISBN-10
- 0300069057
- ISBN-13
- 9780300069051
- Artikelgewicht
- 3,228 Pfund
- Abmessungen
- N/A
Venetian artist Lorenzo Lotto (c.1480-1556/7) painted some of the most startlingly beautiful as well as some of the most puzzling and moving works of the later Renaissance. In this beautifully illustrated account of Lotto's life and work, Peter Humfrey offers the first comprehensive treatment of Lotto in English since Bernard Berenson's pioneering study published one hundred years ago. Humfrey draws on the large body of Lotto's extant work as well as on sixteenth-century documentation on the artist's life, including his letters, his account-book for the years 1538-56 and his will.
Lotto first practised as a painter in the town of Treviso, but during his long and restless career he also spent periods in Bergamo and the Marches, as well as in Venice itself. His final, lonely years were passed in Loreto, where he died as a lay brother in the local religious community. Humfrey examines the way in which Lotto responded to the work of a wide range of artists, from Giovanni Bellini and Albrecht Durer to Raphael and Titian, but also emphasises the painter's marked stylistic individuality, even idiosyncrasy. Particularly attractive to twentieth-century viewers are Lotto's portraits, the psychological penetration of which reveal a personality exceptionally finely attuned to the thoughts and emotions of his fellow human-beings. The artist emerges as one of the most engaging and distinctive personalities of Italian Renaissance art.
Lotto first practised as a painter in the town of Treviso, but during his long and restless career he also spent periods in Bergamo and the Marches, as well as in Venice itself. His final, lonely years were passed in Loreto, where he died as a lay brother in the local religious community. Humfrey examines the way in which Lotto responded to the work of a wide range of artists, from Giovanni Bellini and Albrecht Durer to Raphael and Titian, but also emphasises the painter's marked stylistic individuality, even idiosyncrasy. Particularly attractive to twentieth-century viewers are Lotto's portraits, the psychological penetration of which reveal a personality exceptionally finely attuned to the thoughts and emotions of his fellow human-beings. The artist emerges as one of the most engaging and distinctive personalities of Italian Renaissance art.
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Über die Autorin bzw. den Autor
Peter Humfrey is Professor of Art History at the University of St. Andrews.
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