Lichtenstein (Taschen Basic Art). Dieser Artikel ist nicht verfügbar.
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Sprache: Englisch
Verlag: TASCHEN, 2001
- Softcover
- Gebraucht

Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 2. Juli 2009
Nicht verfügbar
Softcover
Zustand: Gebraucht - Gut
EUR 6,53
Artikelbeschreibung des Verkäufers
Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Bestandsnummer des Verkäufers G3822858609I4N10
- Titel
- Lichtenstein (Taschen Basic Art)
- Autor
- Janis Mink
- Verlag
- TASCHEN
- Erscheinungsjahr
- 2001
- Zustand
- Very Good
- Schutzumschlag
- No Jacket
- Einband
- Paperback
- Sprache
- Englisch
- ISBN-10
- 3822858609
- ISBN-13
- 9783822858608
- Artikelgewicht
- 1,46 Pfund
From the funny pages to the canvas, comics recontextualized
In the late 50s and 60s, American painter Roy Lichtenstein (1923-1997) became one of the most important exponents of Pop Art - that movement which transformed products of mass consumption and the entertainment industry into subjects for art. This apotheosis of banal, everyday objects simultaneously constituted a criticism of the traditional elitist understanding of art.
Almost alone among artists, Lichtenstein pursued the question of how an image becomes a work of art. Wholly in keeping with the spirit of the Classical Modern, he held that it was not the "rank" of the pictures subject that lends the picture its artistic character, but rather the artists formal treatment of it. To Lichtenstein, however, this position seemed far too broad to be seriously pursued.
Developed in the early 60s, Lichtensteins grid technique, with its allusion to the mass-production of graphic art, allowed the painter to give vent to his own artistic scepticism. In the 60s and 70s, Lichtenstein expanded his formal repertoire of techniques for creating distance and irony by means of an idiosyncratic process of abstraction and especially by his use of his numerous art quotations.
Almost alone among artists, Lichtenstein pursued the question of how an image becomes a work of art. Wholly in keeping with the spirit of the Classical Modern, he held that it was not the "rank" of the pictures subject that lends the picture its artistic character, but rather the artists formal treatment of it. To Lichtenstein, however, this position seemed far too broad to be seriously pursued.
Developed in the early 60s, Lichtensteins grid technique, with its allusion to the mass-production of graphic art, allowed the painter to give vent to his own artistic scepticism. In the 60s and 70s, Lichtenstein expanded his formal repertoire of techniques for creating distance and irony by means of an idiosyncratic process of abstraction and especially by his use of his numerous art quotations.
About the Series:
Each book in TASCHENs Basic Art series features:
Each book in TASCHENs Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions
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Über die Autorin bzw. den Autor
Janis Hendrickson studied art history at Smith College and gained her doctorate in Hamburg under Martin Warnke. She is presently a writer and curator.
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