Jasper Johns

Verlag: Harry N. Abrams, Inc. New York, NY, 1967

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Artikelbeschreibung des Verkäufers

195 pp.; 27.5 x 30 cm.; sewn bound; tipped in image[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed "This volume is the first full-length monograph on Jasper Johns, whose work has earned a historic place for itself by sparking much of American and, indeed, world art since the mid-1950s. [.] [Kozloff] traces Johns' pictorial development, probes the often complex overlaps of the artist's thought, identifies stylistic changes, and deals with the iconography of Johns' work - the kinds of objects he chooses, how he treats them, and in what contexts he places them. As he underlines the recurring patterns of subject, theme, and object, Mr. Kozloff brings out Johns' cyclical conceptions and clarifies the artist's most puzzling motifs - explaining their differences from those in Pop art, interpreting their affinity with the vision of Marcel Duchamp, and establishing their origin in the Symbolist tradition. Seeing contradiction, displacement, and paradox as the keys to Johns' artistic procedures, Mr. Kozloff gives detailed technical analyses of such controversial elements of the artist's work as the opposition between surface and illusion, and the contrast between representation and reality. He recognizes, assimilates, and applies the remarkably wide range of critical approaches - philosophical, iconographic, formal, and historic - that Johns' work solicits. Together with the copious illustrations, in color and black-and-white, of paintings, sculptures, drawings, and prints, this presentation is in itself a model of critical approach to a very important artist." -- from interior flap. Includes list of plates and bibliography. Printed in black-and-white, with color images tipped-in. Very Good. Light wear to dust-jacket with some light scratches to jacket's verso and light yellowing of cloth covers. Contents are clean and unmarked, binding is tight to the spine, and all of the multiple tipped in images are secure to their pages. Due to large size and weight additional shipping charges may be required.…

Bestandsnummer des Verkäufers 24979

Bibliografische Details

Titel
Jasper Johns
Autor
Jasper Johns, Max Kozloff
Verlag
Harry N. Abrams, Inc. New York, NY
Erscheinungsjahr
1967
Schutzumschlag
Schutzumschlag
Einband
Hardcover

Specific Object / David Platzker

New York, NY, USA

Verkäufer/-in mit 5 Sternen

Verkäufer:in bei ZVAB seit 20. März 2018

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Specific Object is a gallery, bookstore, and think-tank dedicated to art post 1958 - specifically pop, Fluxus, minimal and conceptual - with an interest in the art that informed the 1960s and 1970s, as well as artists whose works organically followed from the era. Specific Object is always interested in purchasing artwork as well as used books, ephemera and other objects of interest. Specific Object works to isolate distinct works of value - historically, monetarily and / or intellectually valuable - and show them in isolated contexts, allowing these works, or objects, their own place, space and time. The material Specific Object presented ranged from artists' publications, ephemera, prints, multiples and other editions to literature, music / audio works and unique artworks of the contemporary world. In November 2004 Specific Object acquired the inventory of Barbara Moore's bookstore Bound & Unbound. Through her bookshops Bound & Unbound and its predecessor Backworks, founded in 1976, Moore has been a seminal and innovative champion of artists working in alternative mediums. From 1998 through 2004 David Platzker was the Executive Director of the non-profit institution Printed Matter, Inc. He is also the co-author, and co-curator - with Elizabeth Wyckoff - of "Hard Pressed: 600 Years of Prints and Process" (International Print Center New York & Hudson Hills Press, 2000); and - with Richard H. Axsom - the book and exhibition entitled "Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg : A Catalogue Raisonné 1958-1996" (Madison Art Center & Hudson Hills Press, 1997), which was awarded the George Wittenborn Award for Best Art Publication of 1997 by the Art Libraries Society of North America. He has curated exhibitions of the works of Art & Project, John Baldessari, Marcel Broodthaers, Documenta 5, Conceptual Art, Marcel Duchamp, Donald Judd, John McLaughlin, Bruce Nauman, Oldenburg, Raymond Pettibon, Dieter Roth, and Edward Ruscha in addition to commissioning or curating exhibitions at Printed Matter of Angelblood, Larry Clark, Erin Cosgrove, Meg Cranston, General Idea, Jenny Holzer, Reverend Jen, Allan Kaprow, Yoko Ono, Ryan McGinness, Sonic Youth, Tom Sachs, David Tremlett, Richard Tuttle and the Guerrilla Girls. Platzker was also the host of WPS1.org's Recorded Matter online radio program. Archived programs can be found at www.artonair.org. His writings have been included in Claude Closky: Hello And Welcome, I Love John Giorno, Jonathan Monk: In Relief (My Collection of Sol LeWitt Books - Exact Size, Shape and Occasionally Colour), 2015. From 2013 through 2018 Platzker was Curator of Drawings and Prints at The Museum of Modern Art, New York, where he curated the exhibitions "There Will Never Be Silence: Scoring John Cage's 4'33"" with Jon Hendricks; "Sites of Reason: A Selection of Recent Acquisitions" with Erica Papernik; "Gilbert & George: The Early Years; and Adrian Piper: A Synthesis of Intuitions, 1965 - 2016" with Connie Butler and Christophe Cherix. He authored essays for the catalogues "Yoko Ono: One Woman Show, 1960-1971," "Louise Lawler : Receptions," "Being Modern: Building the Collection of The Museum of Modern Art," and the critical theory volume "Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology" (MoMA Primary Documents). His additional MoMA publications include the vinyl LPs "There Will Never Be Silence," "The Thoughts of Gilbert & George," and "Antonio Dias: The Space Between" as well as the artists' books "Yoko Ono: Grapefruit" and "The Conquest of Space: Atlas for the Use of Artists and the Military" by Marcel Broodthaers. Recent writings also include "A Love Supreme: Charles Gaines and Trees," in "Charles Gaines : Palm Trees and Other Works" (Hauser & Wirth) and "John Baldessari Gets Booked" in "John Baldessari Catalogue Raisonné, Volume Six: 2011 - 2019" (Marian Goodman / Yale Univ. Press). Visit www.specificobject.com for our complete inventory.…

Spezialisierung

Pop Art, Contemporary Art, Artists' Books, Multiples, Fluxus, Conceptual Art

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