Intertextuality in Music: Dialogic Composition. Dieser Artikel ist nicht verfügbar.Intertextuality in Music: Dialogic Composition

Intertextuality in Music provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals.

Violetta Kostka trained as a musicologist at the University of Poznä and received her PhD and habilitation from the Institute of Art of the Polish Academy of Sciences in Warsaw.

Paulo F. de Castro, PhD, University of London (Royal Holloway), is Associate Professor and Head of the Musicology Department at Universidade Nova, Lisbon.

William A. Everett, PhD, is Curators' Distinguished Professor of Musicology at the University of Missouri-Kansas City Conservatory.