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Ingre in Fashion. Representations of Dress and Appearance in Ingres's Images of Women

Ribeiro, Aileen

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ISBN 10: 0300079273 / ISBN 13: 9780300079272
Verlag: New Haven, Yale University Press, 1999
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Beschreibung

cloth, dustj, square 4to 259 pp., 189 plates for more than half of the 19th century, Ingres depicted the rapidly hanging appearance of the fashionable woman with meticulous attention to detail; fine monograph, richly illutrared; LIKE NEW condition. Buchnummer des Verkäufers 17072

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Bibliografische Details

Titel: Ingre in Fashion. Representations of Dress ...

Verlag: New Haven, Yale University Press

Erscheinungsdatum: 1999

Einband: Hardcover

Über diesen Titel

Inhaltsangabe:

An exploration of the ways in which clothing, accessories and fabrics define and display women in the portraits of Jean Auguste Dominique Ingres. Containing illustrations of the artist's work, the text examines the relationship of his art to the social and artistic discourse of his time.

Review:

It can be argued that haute couture began in the first half of the 19th century; certainly, its vagaries were recorded for posterity by French portrait painter Jean-Auguste-Dominique Ingres in a wealth of richly detailed studies. For the fashion historian, Ingres's works offer visual insight into the burgeoning consumerism of the time and portray the men and, particularly, the women of society resplendent in their luxurious fabrics, intricate jewelry, and lavish accessories.

Aileen Ribeiro, head of dress at London's Courtauld Institute of Art, has written the exemplary Ingres in Fashion, in which she painstakingly describes Ingres's depiction of fashion as it reflects identity and status in mid-19th-century France. Ingres's dual obsessions--the precise and sumptuous reproductions of modish figures such as his 1853 portrait Josephine-Eleonore-Marie-Pauline de Galard de Brassac de Bearn, Princesse de Broglie (a name as voluminous as the costume she wears) and the sensual, almost fantasy-like odalisques of Le Bain Turc (1862)--are amply represented and scrutinized here in more than 150 illustrations. A fascinating social, historical, and fashion document. --Catherine Taylor

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