A History of Russian Cinema. Dieser Artikel ist nicht verfügbar.A History of Russian Cinema

Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. The 1920s saw a flowering of film experimentation, notably with the work of Eisenstein, and a huge growth in the audience for film, which continued into the 1930s with the rise of musicals. The films of the Second World War and Cold War periods reflected a return to political concerns in their representation of the 'enemy'. The 1960s and 1970s saw the rise of art-house films. With glasnost came the collapse of the state-run film industry and an explosion in the cinematic treatment of previously taboo topics. In the new Russia, cinema has become genuinely independent, as a commercial as well as an artistic medium.

A History of Russian Cinema is the first complete history from the beginning of film to the present day and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.

Birgit Beumers is Professor Emerita in Film Studies at Aberystwyth University, UK, and currently holds a DFG-funded research grant on Central Asian film industries at the University of Passau, Germany. Her publications include A History of Russian Cinema (2009) and Performing Violence (with Mark Lipovetsky, 2009). She has edited a number of volumes, including The Cinema of Alexander Sokurov (2011, with Nancy Condee), and Cinema in Central Asia: Rewriting Cultural Histories (with Michael Rouland and Gulnara Abikeyeva, 2013), and Sexuality, Nudity and the Body in Soviet Cinema (with Eugénie Zvonkine and Catherine Géry, 2026). She is editor of the online journal KinoKultura and of the scholarly journal Studies in Russian and Soviet Cinema.