We Gotta Get Out of This Place: The Soundtrack of the Vietnam War (Culture and Politics in the Cold War and Beyond). Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: University of Massachusetts Press, 2015
Serie: Buch 32 von 50 - Culture and Politics in the Cold War and Beyond
- Softcover
- Gebraucht

Anbieter: Goodwill of Ventura and Santa Barbara Counties, Oxnard, CA, USAGoodwill of Ventura and Santa Barbara Counties
Verkäufer:in bei ZVAB seit 29. Mai 2026
Zustand: Gebraucht - Befriedigend
EUR 5,61
Artikelbeschreibung des Verkäufers
Good: The book has been read but is in good condition. It has very minimal damage to the cover, including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. The binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, and no writing in the margins. There are no missing pages. See the seller's listing for full details and a description of any imperfections.
Bestandsnummer des Verkäufers VSBV.1625341628.G
- Titel
- We Gotta Get Out of This Place: The Soundtrack of the Vietnam War (Culture and Politics in the Cold War and Beyond)
- Autor
- Bradley, Doug; Werner, Craig
- Verlag
- University of Massachusetts Press
- Erscheinungsjahr
- 2015
- Zustand
- good
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 1625341628
- ISBN-13
- 9781625341624
- Serie
- Buch 32 von 50: Culture and Politics in the Cold War and Beyond
In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans -- black and white, Latino and Native American, men and women, officers and ""grunts"" -- whose personal reflections drive the book's narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also ""solo"" pieces by veterans whose writings have shaped our understanding of the war -- Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers -- as well as songwriters and performers whose music influenced soldiers' lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories -- individual and cultural -- that capture a central if often overlooked component of the American war in Vietnam.
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