Inhaltsangabe
Excerpt from A Glance at Revolutionized Italy, Vol. 1 of 2: A Visit to Messina, and a Tour Through the Kingdom of Naples, the Abruzzi, the Marches of Ancona, Rome, the States of the Church, Tuscany, Genoa, Piedmont, &C., &C., In the Summer of 1848
It will be seen that even during my residence in the Turkish capital I was brought in contact with many Italians - men from all parts Of the Peninsula, and of nearly every possible colour and shade Of political Opinions; that in that numerous colony I saw something like a prelude to the revolutions which have Since been played off; and that I had the Opportunity Of witness ing the effects produced by the arrival and rather long sojourn of the first Papal nuncio to the Ottoman Porte. These circumstances served as a key to some Of the mysteries.
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Reseña del editor
Excerpt from A Glance at Revolutionized Italy, Vol. 1 of 2: A Visit to Messina, and a Tour Through the Kingdom of Naples, the Abruzzi, the Marches of Ancona, Rome, the States of the Church, Tuscany, Genoa, Piedmont, &C., &C., In the Summer of 1848
Italy is not a new country to me. I lived in it from the month of January, 1816, to the month of May, 1827, having quitted it only for a few months during that long space of time, to make a visit to England. When I left it for the East, in 1827, its language and literature were nearly as familiar to me as my own. I had travelled through every part of the Peninsula, not excepting the Abruzzi, the Calabrias, Apulia, and other rarely visited provinces and districts.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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