Gender City. Dieser Artikel ist nicht verfügbar.Gender City

Gender City is in our skins, in the law, in our names (like Trudi and Terra), in places like the Barbie Doll Museum, in events like falling on the sidewalk, being in prison in a city with buildings made of skin, rupturing murder in language (pure meaning's urge), considering language as tattoo in a city with mouths that manifest like a disgorgement in your gender, in the city that has no center as the tattoo of poetry (the skin under your dress) has no center.

Lisa Samuels is a transnational poet, essayist, and sound artist who has lived in the United States, Sweden, Israel/Palestine, Yemen, Malaysia, Spain, and since 2006 in Aotearoa/New Zealand. Her books include Tomorrowland (Shearsman, 2009), Mama Mortality Corridos (Holloway, 2010), Gender City (Shearsman, 2011), Wild Dialectics (Shearsman, 2012), Anti M (Chax, 2013), Tender Girl (Dusie, 2015), Over Hear (TinFish, 2015), and A TransPacific Poetics (edited with Sawako Nakayasu, Litmus Press 2017). She also makes soundworks and collaborates with composers and filmmakers. Her PhD is from the University of Virginia, and she teaches literature, theory, and creative writing at The University of Auckland.