Film Theory and Criticism: Introductory Readings (6th Edition). Dieser Artikel ist nicht verfügbar.
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Sprache: Englisch
Verlag: Oxford University Press, 2004
- Softcover
- Gebraucht

Anbieter: Anybook.com, Lincoln, Vereinigtes KönigreichAnybook.com
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Softcover
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EUR 5,37
Artikelbeschreibung des Verkäufers
This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9780195158175.
Bestandsnummer des Verkäufers 9293549
- Titel
- Film Theory and Criticism: Introductory Readings (6th Edition)
- Autor
- Braudy, L and Cohen, M (eds)
- Verlag
- Oxford University Press
- Erscheinungsjahr
- 2004
- Zustand
- Fair
- Einband
- Softcover
- Sprache
- Englisch
- ISBN-10
- 0195158172
- ISBN-13
- 9780195158175
- Artikelgewicht
- 1.450 Gramm
- Verkäuferkataloge
- Entertainment & Film
Since publication of the first edition in 1974, Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Extensively revised and updated, this sixth edition highlights both classic texts and cutting edge essays from more than a century of thought and writing about the movies. Editors Leo Braudy and Marshall Cohen have reformulated the book's sections and their introductions in order to lead students into a rich understanding of what the movies have accomplished, both as individual works and as contributions to what has been called "the art form of the twentieth [and now twenty-first] century." Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race.
The sixth edition features several new essays that discuss the impact of digital technology on the traditional conceptions of what films do and how they manage to do it. Additional selections from the important works of Gilles Deleuze round out sections dealing with the theories of such writers as Sergei Eisenstein, André Bazin, and Christian Metz, among others. New essays also strengthen sections dealing with the idea of "excess" in film, film spectatorship, the horror genre, and feminist criticism.Film Theory and Criticism, 6/e, is ideal for undergraduate and graduate courses in film theory and criticism.
The sixth edition features several new essays that discuss the impact of digital technology on the traditional conceptions of what films do and how they manage to do it. Additional selections from the important works of Gilles Deleuze round out sections dealing with the theories of such writers as Sergei Eisenstein, André Bazin, and Christian Metz, among others. New essays also strengthen sections dealing with the idea of "excess" in film, film spectatorship, the horror genre, and feminist criticism.Film Theory and Criticism, 6/e, is ideal for undergraduate and graduate courses in film theory and criticism.
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