Fear and the Muse Kept Watch : The Russian Masters--From Akhmatova and Pasternak to Shostakovich and Eisenstein--under Stalin. Dieser Artikel ist nicht verfügbar.
58 Bewertungen von Goodreads
Sprache: Englisch
Verlag: New Press, The, 2015
- Hardcover
- Gebraucht

Anbieter: Better World Books: West, Reno, NV, USABetter World Books: West
Verkäufer/-in mit 5 Sternen
Verkäufer:in bei ZVAB seit 14. März 2016
Nicht verfügbar
Hardcover
Zustand: Gebraucht - Gut
EUR 8,54
Artikelbeschreibung des Verkäufers
Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Bestandsnummer des Verkäufers 10250130-6
- Titel
- Fear and the Muse Kept Watch : The Russian Masters--From Akhmatova and Pasternak to Shostakovich and Eisenstein--under Stalin
- Autor
- McSmith, Andy
- Verlag
- New Press, The
- Erscheinungsjahr
- 2015
- Zustand
- Very Good
- Einband
- Hardcover
- Sprache
- Englisch
- ISBN-10
- 1595580565
- ISBN-13
- 9781595580566
- Artikelgewicht
- 1,409 Pfund
- Abmessungen
- N/A
In this dazzling exploration of one of the most contradictory periods of literary and artistic achievement in modern history, journalist Andy McSmith evokes the lives of more than a dozen of the most brilliant artists and writers of the twentieth century. Taking us deep into Stalin's Russia, Fear and the Muse Kept Watch asks the question: can great art be produced in a police state? For although Josif Stalin ran one of the most oppressive regimes in world history, under him Russia also produced an outpouring of artistic works of immense and lasting power―from the poems of Anna Akhmatova and Osip Mandelstam to the opera Peter and the Wolf, the film Alexander Nevsky, and the novels The Master and Margarita and Doctor Zhivago.
For those artists visible enough for Stalin to take an interest in them, it was Stalin himself who decided whether they lived in luxury or were sent to the Lubyanka, the headquarters of the secret police, to be tortured and sometimes even executed. McSmith brings together the stories of these artists―including Isaac Babel, Boris Pasternak, Dmitri Shostakovich, and many others―revealing how they pursued their art under Stalin's regime and often at great personal risk. It was a world in which the poet Vladimir Mayakovsky, whose bright yellow tunic was considered a threat to public order under the tsars, struggled to make the communist authorities see the value of avant garde art; Babel publicly thanked the regime for allowing him the privilege of not writing; and Shostakovich's career veered wildly between public disgrace and wealth and acclaim.
In the tradition of Eileen Simpson's Poets in Their Youth and Phyllis Rose's Parallel Lives, Fear and the Muse Kept Watch is an extraordinary work of historical recovery. It is also a bold exploration of the triumph of art during terrible times and a book that will stay with its readers for a long, long while.
For those artists visible enough for Stalin to take an interest in them, it was Stalin himself who decided whether they lived in luxury or were sent to the Lubyanka, the headquarters of the secret police, to be tortured and sometimes even executed. McSmith brings together the stories of these artists―including Isaac Babel, Boris Pasternak, Dmitri Shostakovich, and many others―revealing how they pursued their art under Stalin's regime and often at great personal risk. It was a world in which the poet Vladimir Mayakovsky, whose bright yellow tunic was considered a threat to public order under the tsars, struggled to make the communist authorities see the value of avant garde art; Babel publicly thanked the regime for allowing him the privilege of not writing; and Shostakovich's career veered wildly between public disgrace and wealth and acclaim.
In the tradition of Eileen Simpson's Poets in Their Youth and Phyllis Rose's Parallel Lives, Fear and the Muse Kept Watch is an extraordinary work of historical recovery. It is also a bold exploration of the triumph of art during terrible times and a book that will stay with its readers for a long, long while.
„Inhaltsangabe“ gehört möglicherweise zu einer anderen Auflage dieses Titels.